The McIntire Department of Art and the McIntire Department of Music are coming together to host the Impulse Festival of Improvisation.
Chris Stapleton recently released his third record, “From a Room: Volume 2,” and it serves as another reminder as to why he is — and very well should be — the new face of country music.
Despite the complexity and abstraction of the arrangements, this is Beck’s first album that can simply be classified as “pop” in the modern sense.
“RELAXER” is a diverse album even by alt-J standards.
Nathan Colberg, a Charlottesville native, is a fourth year graduating from the Batten program, and music has been a huge part of his life at the University.
LCD Soundsystem has triumphantly returned with essentially its first new music since 2010 — let’s face it, no one listened to that Christmas song.
Father John Misty just falls short of his potential. If his goal was to craft a painfully honest and scathing social critique, he has succeeded.
Spoon finds themselves once again standing outside confinements of any genre — and also outside any semblance of widespread fame and recognition.
Over half a century has passed since Mick Jagger first uttered the lyric heard around the world, “I can’t get no satisfaction,” and the Rolling Stones refuse to stop playing music.
Imagine if Thoreau emerged from the woods, listened exclusively to Kanye West and Frank Ocean for a couple of years, then wrote the sequel to “Walden.” Now go listen to Bon Iver’s “22, A Million” and imagine no more.
