The Cavalier Daily
Serving the University Community Since 1890

Samantha Rafalowski


M83’s “Junk” is aptly named

“Junk” was a risky move in its conception. Anthony Gonzalez’s narrative was inspired by 70’s and 80’s television, specifically “Punky Brewster” and “Who’s the Boss.” The goal was to explore nostalgic fantasies through these roots, but those roots don’t belong to the generation of M83 listeners.

Tame Impala’s “Currents” sweeps you away

Pop culture’s last few years have once again proven the circuitous nature of mainstream music. First we saw Robin Thicke’s “Blurred Lines,” which is virtually a cover of Marvin Gaye’s “Got to Give it Up,” and now the charts have been invaded by Bruno Mars’s “Uptown Funk” and its suspiciously strong influences of The Gap Band’s “Oops Upside Your Head” and Michael Jackson’s “Jam.” So when Tame Impala’s founder Kevin Parker described the purpose of his new album “Currents” to “The Atlantic” to be to “convince a few die-hard rock fans that ‘80s synths can fit over a ‘70s drum beat,” a few were understandably concerned. After all, “Lonerism” gained universal recognition and had already set unreasonably high standards for its sequitur.

“Wildheart” is not exactly wild

Miguel Jontel Pimentel was born into a musically inclined family. Heavily influenced by his parents’ affinity for R&B and jazz, Miguel began pursuing a career in the music industry at age thirteen.

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