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Flight Facilities’ debut LP is an enjoyable maiden voyage

“Down to Earth” is as laidback as its title suggests. but packs a few surprises

Hugo Gruzman and James Lyell, an electronic duo from Sydney, teamed up this year to create their first LP as Flight Facilities, “Down To Earth,” combines old tracks with new material for a delicious listening experience.

The pair is known for their perfectionist attitude — most singles are created and refined for at least 11 months before release. Though sometimes frustrating for fans, Lyell and Gruzman’s meticulous work definitely paid off.

The album continues the band’s aviation theme (Gruzman’s grandfather owned a flight company). The first song of the album, “Intro,” thanks listeners for choosing to fly Flight Facilities and adds, “we ask that you move about the cabin as much as possible.”  This attitude continues for the duration of the album.

Previous popular tracks such as “Clair de Lune,” “Stand Still,” and “Crave You” were surprisingly refreshing to hear again in between new material. The placement seemed to serve as a reminder of where Flight Facilities got their start and how they have improved upon an already successful formula.

“Stand Still,” released in November of last year, was well-received, but leaves the listener wanting — which they can find in the tranquil atmosphere and 90s house beat in the following track, “Apollo.”

“Why Do You Feel” is another notable track, offering an old-school rap vibe, as 18-year-old rapper Bishop Nehru sings about the insecurity common in young relationships: “I catch you in my dreams, just me and you, but you seem confused.”  

The eighth track on the album, “Hold Me Down” features Stee Downes and combines R&B with a heavenly choir and Flight Facilities’ signature style — making for an endearing and romantic song.

A final standout track is “Sunshine,” which brings soulful funk and pop into the mix. Reggie Watts’s voice singing “Sunshines on my baby out on the floor” will undoubtedly be playing on many a dance floor come this spring.

Though a great variety can be found in the track list for “Down to Earth,” Flight Facilities’ seeming fear of instrumental tracks is discouraging. The LP is incredibly synth-heavy and reliant upon vocals from their usual leading females — Kylie Minogue and Micky Green, for example.

There is value to sticking with what works, but the experience on the whole will quickly grow redundant if Gruzman and Lyell don’t begin to trust more in their own production abilities.
Shortcomings aside, this effort from Flight Facilities is anything but a disappointment. Fans should keep a look out for upcoming releases — it may be a long ride, but it will certainly be worthwhile.

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