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(04/08/20 6:19am)
This is it. This is the single point in time when we as a collective society are all simultaneously in need of any and all positive modes of escapism. “Migration Stories” is the album that can provide the porch-sitting, bedroom dwelling type of variety.
(01/17/20 6:31am)
Whether you are a film enthusiast or a commuter who has had to swear off news and political podcasts for the good of your mental health, entertainment podcasts are a way to consume engaging content while learning about a wild industry. The best part about entertainment podcasts is that you can easily curate what you listen to based on the type of media that most interests you. Here are some options that range from educational to humorous commentary.
(12/13/19 3:45pm)
The first half of the recently-released third season of “The Marvelous Mrs. Maisel” suffers from stagnant character development and an overreliance on showy setpieces in place of plot progression. Filled with the quickfire dialogue and active tracking shots now characteristic of creator Amy Sherman-Palladino, season three starts off by moving quickly to nowhere. Even with the show’s title character Midge (Rachel Brosnahan) leaving New York to tour with Shy Baldwin (Leroy McClain) — a fictional character reminiscent of trailblazing pop icons like Chuck Berry and Harry Belafonte — there is a lack of stakes that the lavish shots of mob-run Las Vegas cannot make up for. The circling of previously explored dynamics comes to a head as the fourth episode “Hands!” ends with a reunion that Midge and the show have been trying to move on from since the pilot.
(11/25/19 2:57pm)
Netflix released the highly anticipated third season of “The Crown,” which picks up in 1964 — the same year that season 2 ended — and is set to cover through 1976. While still stylish and grandiose, it is clear in the first episode that the introduction of an almost entirely new cast has shifted the tone of the show towards a more shrewd disposition.
(10/29/19 12:36pm)
Chandler Ferrebee, assistant programmer and communications manager of the Virginia Film Festival, briefly introduced the film “Waves,” Thursday night, which had premiered earlier this fall at the Telluride Film Festival. Written and directed by Trey Edward Shults, “Waves” is a musical, visceral portrayal of life’s small and large devastations that often coincide with happiness and intense feelings of love.