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(08/16/15 11:39pm)
“Almost, Maine” is almost bearable. Almost every character in the play is trite and one dimensional. Almost every instance of of symbolism in the play, every instance of love made literal — a broken heart carried in a bag, an ex-lover named Hope — feels so contrived as to be laughable. For this reason, I can almost understand why it is considered a comedy. Not once, however, did I laugh.
(08/05/15 8:13pm)
“Amy” ends. The credits roll, but no one stirs. Instead, we sit, myself and roughly a dozen others, with our eyes fixed on the screen. It’s hard to describe what we have just witnessed, and, I figure, that’s why we remain seated. We are attempting to process director Asif Kapadia's gripping biography of a gifted, young woman and her subsequent decline.
(08/05/15 8:06pm)
Jamie xx's solo debut, “In Colour,” is at one moment jubilant and bright and at the very next melancholy and murky. Cerulean steel drums on the track "Obvs," for example, give way to the somber synths of “Just Saying," while elsewhere, the dark, lethal sounds of dubstep anticipate lighter, more salubrious sounds of chillwave on "Girl."
(09/10/14 3:28am)
Stanford doctoral candidate Jonathan Mayer claims to have found several security weaknesses in the online course platform Coursera.