“Tony” is a tasteful standout that gracefully foreshadows Bourdain’s complicated life of adventure and discovery.
After a six-year-long drought of albums, indie rock band The Strokes returned with their newest project, “Reality Awaits,” July 24.
These four songs aim to ensnare just a little bit of what defines the World Cup, along with the spirit that made this year’s edition unforgettable.
With a career-best global opening weekend at the box office for Nolan and overwhelmingly positive critical and audience reception, it looks like smooth sailing for “The Odyssey” into award season — though whether Nolan has fully earned those laurels is less certain.
While the album hints at a broader artistic direction through its expanded instrumentation, its repetitive lyrical themes and familiar introspection keep it from feeling like a true reinvention.
Together, these three films explore first love, self-discovery and fleeting connection, illustrating how romances that last only a season can leave lasting emotional impressions.
The live-action remake of this beloved film was released July 10, starring newcomer Catherine Laga’aia as Moana and Dwayne “the Rock” Johnson reprising his role as Maui.
While darker themes set these beach reads apart from the typical rom-coms that usually come to mind, the freedom of summer may be just what is needed to dig into a thought-provoking story.
Animation studio Illumination released “Minions & Monsters” July 1, which revolves around an entirely new cast of Minions from those in any of the previous six movies.
While no piece of media may truly capture all of the magic found on Grounds, the stories explored in these pieces can be applied to one’s time in Charlottesville.
While someone navigates the growth from adolescence into a burgeoning adulthood, these four songs cover a range of developing feelings towards the hometown blues.
Since its debut 25 years ago, the Summer Film Academy has consistently offered local students access to film education and production every summer.
“Supergirl” has the titular character, also known as Kara Zor-El, playing by a different set of rules.
Though each a cappella group handles these tasks differently, they embody a similar goal of continuing their groups’ musical legacies.
There is no wrong way to get into LGBTQ+ cinema, but these four films are a good starting point.
