What do blimps, Wheaties and Soulja Boy’s “Crank That (Soulja Boy)” have in common? They are all part of the deliberately unhinged marketing campaign behind A24’s upcoming “Marty Supreme.”
From page to screen, sound to socials, three A&E writers sat down to share their superlative picks from the year in media.
Though its tonal anomalies and pacing confusions make it difficult to truly match the excellence of the first film, “Wicked: For Good” is nonetheless a spectacular theatergoing experience
While Grounds is undeniable in its beauty at this time of year, there is no better source for inspiration than a New England boarding school.
From Belmont to Barracks and from the Corner to the Downtown Mall, murals have been woven into the fabric of the city, blurring the line between public space and personal expression.
When pressing play on the new school year, do the same for the cinema –– with the best opening scenes from the 1970s to the present.
A24’s proverbial second date with Celine Song features the triumvirate of Dakota Johnson, Chris Evans and Pedro Pascal in a glossy meditation on the perils and pitfalls of modern dating.
Directed by Christopher McQuarrie like the three before it, “Mission: Impossible — The Final Reckoning” is equal parts mesmerizing and exhausting, self indulgent and satisfying.
Michael B. Jordan stars as a pair of identical twins, who make their triumphant return to the Mississippi Delta after a stint in Chicago, armed with funds of questionable origin and big plans to open a juke joint for the local Black community.
After diplomas are received and caps tossed high above the Rotunda, these arts students must reckon with the ultimate question –– what comes next after the University?
