Live performances by The Lint Collectors are often very dynamic, as the chemistry between the musicians is palpable and they flit seamlessly from original songs to covers.

The Kids Are Alright: The Lint Collectors

By Lauren Dalban | December 3, 2022

This charismatic quartet promises to find the musical pocket anywhere, and they hope fans of their performances will continue to be there to witness it.

On Repeat: A road trip playlist to beat highway hypnosis

By Tanner Rowe | December 1, 2022

Joyce’s album — released by New Amsterdam Records — dropped Friday, October 28th. Her past albums and LPs can be found on Spotify and Apple Music.

Molly Joyce provides listeners with a new “Perspective”

By Kyndal Harrison | November 8, 2022

On Repeat: Soundtrack to the second half of the semester

By Sophie Hay | November 2, 2022

The 1975 “Being Funny in a Foreign Language”

By Connor Smith | October 31, 2022

“Midnights” masterfully breaks down Taylor Swift’s sleepless nights and most vulnerable moments

By Amelia Preble | October 28, 2022

WILLOW masterfully tackles heartbreak and anger on “COPINGMECHANISM”

By Kyndal Harrison | October 26, 2022

The album, released under Roc Nation and Polydor Records, sees WILLOW crash through the genres of pop rock and pop punk with the passion of a scorned lover.

While “Gettin’ Together” clearly refers to Carll and Cobb joining up for this tour, it is also a wish for their audience to find moments of community to “get together,” laying the groundwork for greater cooperation across personal differences.

A&E

Brent Cobb and Hayes Carll bring the Jefferson Theater home with an entertaining and personal performance

By Izzy Spanswick | October 25, 2022

Locals put an end to their weekend Sunday night at the Jefferson Theater, where alt-country artists Brent Cobb and Hayes Carll kicked off the ninth show of their “Gettin’ Together” tour.

The community surrounding live music in Charlottesville has enabled “souwa cweam” to truly thrive as a band.

A&E

The Kids Are Alright: souwa cweam

By Lauren Dalban | October 24, 2022

souwa cweam sat down with The Cavalier Daily to discuss their style of playing, their experience making original songs and their exciting upcoming gig at the Jefferson Theater.

A&E

The Butterfly Effect: When the “Rap Devil” showed his horns

By Kartik Chugh | October 20, 2022

MGK’s stint can be appreciated as a punch considerably above his weight — not exactly the knockout blow it was intended as, but unusually robust amid the still-growing catalog of failed anti-Eminem disses.

A&E

On Repeat: Bops to dance the night away

By Cameron Hipps | October 20, 2022

To embrace the rush that comes with partying with good friends, strangers and everyone in between, look no further than these four songs.

A&E

Shygirl remains effortlessly cool and experimental on “Nymph”

By Cameron Hipps | October 19, 2022

Look beyond some of its rougher edges, and “Nymph” is a proper introduction to one of Britain’s biggest new artists.

The “$oul $old $eparately” experience is appealing for long-time fans or any music listener who might want to get into the gangsta rapper’s music, and the project is a great addition to the incredible catalog of music Gibbs has created in his career.

A&E

Freddie Gibbs sets his sights on a Grammy with “$oul $old $eparately”

By Randolph Brownell | October 10, 2022

“$oul $old $eparately” was released Friday with a stacked list of producers, features and some of Gibbs’ best efforts to date, making the record an undoubtedly important release for rap in 2022.

A&E

On Repeat: Melodic narcotics for stress relief

By Tanner Rowe | October 5, 2022

Here are four soulful and nostalgic tracks — some old and some new — that slow down time when it seems to be moving too fast.

“Hold the Girl” sees Sawayama taking risks at every turn.

A&E

Rina Sawayama bares her soul through the catchy pop of “Hold the Girl”

By Cameron Hipps | September 25, 2022

Sawayama takes a lot of risks on this project, with some paying off and others failing.

Maroney possesses a unique talent for portraying his unique personality onstage, while also showcasing his clear musical talent.

A&E

Briston Maroney sells out the Jefferson Theater with a combination of indie rock hits and ballads

By Carly Ault | September 17, 2022

Maroney’s authentic songwriting, raspy voice, and ringing guitar make for a very specific sound, attracting audience members from all around the state.

A&E

The Butterfly Effect: Drake’s club-infused experiment

By Kartik Chugh | September 16, 2022

With its gems and disappointments, the most promising part of “Honestly, Nevermind” is what it represents for Drake’s sound going forward.

A&E

Two Door Cinema Club encourages audiences to “Keep On Smiling” but does nothing else

By Jamie Jeong | September 14, 2022

Their fifth album sees the trio continue to redefine and experiment with their sound, filled with thrills that are electrifying but cheap and lackluster in anything that sticks

Despite the oppressive heat and the masses of people packed together and inching closer and closer to the band, this was a standout performance.

A&E

Indecisive performs newly released album live

By Lauren Dalban | September 11, 2022

In the basement of the Academical Village People house — “The Bog” — University band Indecisive performed the songs of their new album “Over King’s Creek,” which was released on Spotify the next morning, September 3rd.

The members of Backseat Driver look forward to a future of lively gigs and increasingly large audiences — even after they stop playing “Free Bird.”

A&E

The Kids Are Alright: Backseat Driver

By Lauren Dalban | September 3, 2022

As they relax on the Lawn on a particularly sunny day in Charlottesville, three members of the University band Backseat Driver do a deep-dive into their musical influences, their songwriting process and their past gigs.

Music

The Kids Are Alright: The Lint Collectors

On Repeat: A road trip playlist to beat highway hypnosis

Molly Joyce provides listeners with a new “Perspective”

On Repeat: Soundtrack to the second half of the semester

The 1975 “Being Funny in a Foreign Language”

“Midnights” masterfully breaks down Taylor Swift’s sleepless nights and most vulnerable moments

More stories

WILLOW masterfully tackles heartbreak and anger on “COPINGMECHANISM”

Brent Cobb and Hayes Carll bring the Jefferson Theater home with an entertaining and personal performance

The Kids Are Alright: souwa cweam

The Butterfly Effect: When the “Rap Devil” showed his horns

On Repeat: Bops to dance the night away

Shygirl remains effortlessly cool and experimental on “Nymph”

Freddie Gibbs sets his sights on a Grammy with “$oul $old $eparately”

On Repeat: Melodic narcotics for stress relief

Rina Sawayama bares her soul through the catchy pop of “Hold the Girl”

Briston Maroney sells out the Jefferson Theater with a combination of indie rock hits and ballads

The Butterfly Effect: Drake’s club-infused experiment

Two Door Cinema Club encourages audiences to “Keep On Smiling” but does nothing else

Indecisive performs newly released album live

The Kids Are Alright: Backseat Driver

University Judiciary Committee sanctions two organizations for hazing

Charlottesville and Albemarle County schools pursue name changes

Reviewing Tony Elliott’s first season with Virginia football

EDITORIAL: We deserve better than Bert

Honor Committee discusses case implications of generative AI software

Honor Committee debates proposed additions to the Constitution

U.Va. hosts 12th annual Martin Luther King Jr. celebration

Mockingbird takes flight with savory and satisfying Southern cuisine

No. 8 women’s tennis wins pair of ITA Kickoff Weekend matches

Fatal shooting incident reported on 1000 Grove Street

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