On Saturday evening, University students and community members had the opportunity to discover a hidden gem on Grounds, the U.Va. Jazz Ensemble. This talented group showcased their skills before a crowded audience at Old Cabell Hall.
Featured this year was Kurt Rosenwinkle, an up-and-coming jazz guitarist who has gathered praise from the likes of jazz legend Pat Metheny, among others. Rosenwinkle captured the audience immediately with his passion. As soon as he began, the energy and emotion poured from his hands and facial expressions. His playing mesmerized everyone present. With Rosenwinkle leading, both the ensemble and the audience had no trouble feeling the music.
Doubtless, Rosenwinkle is a talented musician. His first solo of the night in "Ngoni" was a lesson in technical skill. His hands moved lightning fast, and he never seemed to miss a note. His precision was truly incredible.
While a great soloist, Rosenwinkle proved that he was more than just that. In the song "Beyond Belief," many musical ideas were happening at once. Rosenwinkle blended into the background, and it wasn't until later in the song that his presence was distinctive. This added great depth to the song and the ensemble, a true mark of his talent.
Just as impressive, however, was the talent of fellow University students. This group sounded like a professional jazz ensemble. Together they replicated the different styles and attitudes of jazz.
The first set of the night was really kicking. The songs were lively and full of energy -- everyone in the audience could be seen tapping a foot or moving to the beat. The only thing that could have made the set better would have been a dance floor, as it was near impossible to stay in your seat.
During this set, the song "Chromaticus" really allowed the incredible individual musicianship of the Jazz Ensemble to shine. The solos, from the saxes to the brass to the rhythm section, were all unique and remarkable. It was truly exciting to discover that there was such amazing talent right here at the University.
The second set mixed it up with songs featuring non-traditional jazz instruments, such as a harp and a tabla. Here the ensemble explored soothing and mystical sounds. It was clear that these songs were quite difficult, and the ensemble played them with confidence and ease.
The closing song, "Minor's Holiday," embodied all the skills of the Jazz Ensemble, from group cohesion to sectional improvisation to incredible solos. The passion and emotion the members felt for their music was clear. These musicians were really top notch. Fellow University students should be proud of the talent present here on Grounds.
At the end, the Jazz Ensemble, along with Kurt Rosenwinkle, was greeted with a much-deserved standing ovation. Everyone, young and old, was visibly impressed by the ensemble. Despite the concert lasting over two hours, the audience could have stayed all night.
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