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(03/07/14 1:03am)
Music is supposed to make us feel something. Personally, I listen to DJ Khaled’s “All I Do is Win” to get pumped for a workout. I cried to blink-182 when my boyfriend broke my heart. I listen to Matt and Kim in the summertime when I’m relaxing on the beach.
(03/04/14 10:12pm)
London, Paris and New York City are three of the most popular tourist destinations in the world. What do these cities have in common? The answer is art. Broadway, 5th Avenue, the West End, the Théâtre des Champs-Élysées — these areas of creative expression astronomically enhance the cultural richness of the communities they serve.
(02/18/14 2:07am)
If you’re searching for an album to play with the car top down while cruising down the highway this summer, You Me At Six’s latest album “Cavalier Youth” is exactly what you’re looking for. With upbeat rhythms and stylistic diversity from a band already deep into their career, “Cavalier” continues the group’s broadcast of the hopeful, despite including songs that vacillate between heavy and light.
(02/13/14 3:29am)
The new Of Mice & Men album out this month, “Restoring Force,” marks a significant change in the band’s style. Where their previous sound was raw and solid, the band has become more sophisticated and intensely emotional, a shift which works to their advantage.
(02/06/14 3:08am)
Listening to indie-folk band The Hundred Acre Woods’ 2011 self-titled EP immediately before diving into their latest release may have been a bad idea. Set against the former, the three-song album “Cold in the Morning” struck me as unimpressive. Where their 2011 work was unique in its complete transformation of traditional 1970s folk music, their latest caves into rock and alternative cliches, more typical to groups like The Fray. What was left lacked the special emotion and joy their sound used to carry.
(01/30/14 4:21am)
It’s not often a show’s opener reaches the hype of its leading act. And yet, as the floor of The Southern filled last Tuesday night in anticipation of Lucius, a five-piece group known for its soft melodies, it was opening act You Won’t that really set the show’s tone.
(01/23/14 2:53am)
If there’s one thing college students across the nation need, it’s hope. We hope that we didn’t do as horribly as we think we did on that final. We hope for a miraculous explosion of motivation so we can complete all of our readings. We hope that Runk dining hall will serve something other than hamburgers for dinner. Hope is central to our lives here at U.Va., which is the message that former The Academy Is… frontman William Beckett brought to the University this past Sunday. His performance served as a fundraiser for the University chapters of To Write Love on Her Arms and STEP UP!, two on-Grounds organizations that work to support community members dealing with mental illness, addiction or abuse of any form.
(12/04/13 3:12am)
Stand out tracks:
“Nothing For Christmas,” New Found Glory
“Do You Hear What I Hear?” William Beckett
“All I Can Give You,” Jason Lancaster
“Fool’s Holiday,” All Time Low
(11/21/13 3:53am)
As first-year College student Victoria Tovig prepares to step into the role of Elle Woods this weekend, she has one solemn warning for her audience: “expect lots of pink.”
(10/31/13 11:46pm)
“Klezmer” might not ring any bells, but chances are you’ve run across the style of traditional Jewish music at some point in time, perhaps most notably in the musical film “Fiddler on the Roof.” Despite its relative obscurity, this form of music is alive and well, and the Klezmer Ensemble ensures it has a presence even on Grounds.
(10/15/13 9:25pm)
After Dwight Howard Johnson, the opening act at The Southern this past Thursday night, had played its piece and left the stage, there was an obvious alteration in the audience. Previously the crowd had consisted of a small group of 20 to 50 year olds standing at the outskirts of the floor while sipping whiskey and Coca-Cola and swaying mildly to the opener’s pop-punk sound.
(10/07/13 5:38pm)
Each album Panic! at the Disco releases has a specific flavor, and the band’s latest effort, “Too Weird to Live, Too Rare to Die!” is no exception. Though the record wasn’t set for release until Oct. 8, the band posted the full album on YouTube ahead of schedule. Though “Too Weird” carries a new synthetic sound — a welcome deviation from the slew of Fall Out Boy copies that Panic! has put out in the last couple of years — the album is far from pleasurable.
(09/19/13 6:31pm)
Members of the Virginia Folklife Apprenticeship Program gathered near Boar’s Head Inn Sunday to celebrate and honor the apprentices who have spent the past nine months training to become masters of various folk art skills. Apprentices young and old applied to the program for a specific instrument, tradition, style or craft, and all were chosen by “masters” — artists and craftsmen who excel at their trades and exemplify various aspects of Virginia’s cultural heritage.