Arts & Entertainment

A&E

“Bloodline” debuts with a dark mystery in sunny paradise

By Sam Henson | March 30, 2015

With Netflix’s recent push to produce as much original content as possible, the entire first season of “Bloodline” was made available within just a month of the third season premiere of “House of Cards” and the new Tina Fey-produced comedy “The Unbreakable Kimmy Schmidt.” Many criticize the release of an entire season at once, citing viewers who “binge watch” and typically gloss over specific and important points of individual episodes.

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A&E

Danny Schmidt’s ninth album “Owls” debuts at The Southern

By Dhwani Yagnaraman | March 30, 2015

Indie singer-songwriter Danny Schmidt is returning to Charlottesville Thursday to perform at The Southern.

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A&E

“Game of Thrones” gets its second experimental musical counterpart

By Robert Shimshock | March 30, 2015

The Apr. 12 premiere of the fifth season of HBO’s “Game of Thrones” has triggered a heartwarming reconciliation between the genres of hip-hop and metal.

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A&E

Tobias Jesso Jr.’s debut LP is impressive entry in singer-songwriter story

By Maggie McCoy | March 27, 2015

Pop singer-songwriter Tobias Jesso Jr. is in a state of grieving. The gorgeous emotional reprieve that constitutes Jesso’s debut, “Goon,” targets pop album essentials such as broken hearts and failures to make it as an artist in Los Angeles.

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A&E

Bringing Indian music and dance to Charlottesville

By Dhwani Yagnaraman | March 26, 2015

Indian Classical Night is a colorful showcase of the diverse cultural dances and musical talents present at the University as well as in the Charlottesville community.

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A&E

An evening of poetry with Charles Wright and Mary Szybist

By Kristen Clevenson | March 26, 2015

Last Friday, the Culbreth Theater hosted Charles Wright, the 2014-15 U.S. Poet Laureate, and National Book Award winner Mary Szybist.

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A&E

Poetry and the art of retrospection

By Dhwani Yagnaraman | March 26, 2015

Last week, University professor and poet Stephen Cushman and Poet Laureate of Virginia Ron Smith read selections from their works in the Special Collections Library.

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A&E

AVP performs Spring Concert “Man Fest Destiny”

By Reilly Sheehy | March 26, 2015

The greatest thing about University a cappella is that, other than terrific music, you really never know what to expect.

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A&E

Claude Wampler discusses her latest exhibition “Trailing Spouse”

By Kristen Clevenson | March 26, 2015

Ruffin Distinguished Artist in Residence Claude Wampler’s exhibition “Trailing Spouse” is on display through Mar.

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A&E

A “Glee” full finale

By Anne Duessel | March 26, 2015

Warning: This review contains spoilers. Fox’s high school musical dramedy, which was a brief but intense phenomenon six years ago, finished its episodic run to a fractional audience Friday with two back-to-back episodes, “2009” and “Dreams Come True.” “2009” was an hour-long flashback detailing the personal journeys that led to the club’s creation while “Dreams Come True” was a flash-forward, where everyone gets what they want and then some. Is the two-part “Glee” finale worth watching, though?

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A&E

Shakespeare on the Lawn to reinterpret “King Lear”

By Jacqueline Justice | March 26, 2015

Shakespeare On The Lawn takes on The Bard’s classic, “King Lear,” in its contemporary, yet timeless rendition of the text.

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A&E

Marina and the Diamonds offer catchy, emotionally compelling pop

By Julia Stembridge | March 26, 2015

Indie-pop group Marina and the Diamonds’ new album, “Froot,” is a delicious surprise. Greek-Welsh frontwoman Marina Lambrini Diamandis has a syrupy, deep sound resembling that of Lana Del Rey, but Diamandis adds a discotheque twist.

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A&E

“The Lazarus Effect” joins the multitude of forgettable horror films

By Elizabeth McCauley | March 25, 2015

The best thing about “The Lazarus Effect” is its sinister opening sequence. Grotesque shots of mysterious, oozing compounds bubbling in petri dishes and swirling through centrifuges set the stage for creepy laboratory antics to follow.

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A&E

King Kendrick successfully revitalizes hip-hop’s possibilities

By Aidan Landen | March 25, 2015

In Kendrick Lamar’s “To Pimp a Butterfly,” the Compton MC provides his fans with a new take on an old sound and alternative content. Lamar’s new album is both personal and universal, both a condemnation and a celebration.

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A&E

J. Roddy Walston & The Business works up The Jefferson

By Dixon White | March 24, 2015

Following an impressive display from opening act Jessica Hernandez & the Deltas, J. Roddy Walston & The Business — a band consisting of four men sporting similar long hair and beards — appeared on a rustic stage at The Jefferson Theater last Thursday.

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A&E

“Strangers to Ourselves” is alien to Modest Mouse’s own legacy

By Matthew Leon | March 24, 2015

Indie-rockers Modest Mouse released their newest album, “Strangers to Ourselves,” following an eight-year gap from their last studio album, “We Were Dead Before the Ship Even Sank.” Over the course of six albums, Modest Mouse has established itself as a constantly changing band.

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A&E

“The Royals” is a royal mess

By Ellen Adams | March 24, 2015

“The Royals,” the first scripted show from the E! Network, capitalizes on the American craze over British royalty and can best be described as a British version of “Keeping Up with the Kardashians.” While this premise has the makings of a great guilty pleasure, “The Royals” has struggled to find its footing and fails to live up to its campy, melodramatic potential. The show centers around a fictionalized version of the royal family, headed by matriarch Queen Helena (Elizabeth Hurley), who struggles to balance her royal duties with her role as a mother.

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A&E

Indie-Folk Powerhouse Trio Stops in Charlottesville

By Lindsay Wilkins | March 24, 2015

As a part of their sold-out American tour, indie folk band The Lone Bellow took to the stage at the Jefferson Theater Saturday and delivered a two-hour performance that gave the audience goosebumps.

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A&E

“Secrets & Lies” Proves Predictable

By Anelle Mensah | March 23, 2015

Heavy rainfall, hurried breath and sneakers stomping away at the sliding mud as a frantic Ben Crawford (Ryan Phillippe) cries out for help.

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A&E

A conversation with expert narrator Barbara Rosenblat

By Noah Zeidman | March 20, 2015

Barbara Rosenblat was prominently featured as Miss Rosa in the latest season of the Netflix series “Orange Is The New Black.” What fans of the show may not realize, though, is that Rosenblat is one of the most popular and respected audiobook narrators in the country.