As she reflects on her time at the University, Aleeta advises current students to pursue their passions and be confident in their path.
I’ll never get over my fascination with the power of chance. But chance doesn’t always serve me well. Chance tells us how, but doesn’t always tell us why.
If you need a mood-booster for this finals season, give this motivational pop playlist a try.
The First Year Players' spring production of "Singin’ in the Rain" looked very different from their past productions, with numerous modifications to accommodate COVID-19 safety measures.
Getting “canceled” is a real fear of entertainers today, but what does it really mean?
Social media and politics are now irrevocably intertwined. Yet, what role social media should play in activism?
In a two-episode series premiere event, Freeform debuted “Cruel Summer,” just in time for the new show to become the teen drama of the season.
“McCartney III Imagined” is an adaptation of his 2020 release titled “McCartney III,” featuring covers and collaborations with modern greats across a wide range of genres.
Through his determination to use his voice for change, Declan McKenna has become the best thing to happen to indie-pop.
On April 17, the Virginia Women’s Chorus broadcasted the "Women Against Violence: Brand New Day" Benefit Concert on YouTube in support of sexual assault awareness.
"Face Me: a declaration" examines complexities through a lens that begins in uncertainty and submission and transforms into a celebration of self.
Adin Yager — 19-year-old producer and first-year College student — is steadily making his way in the lo-fi genre under the alias "skyswimming."
BROCKHAMPTON kicks off their farewell from music with their sixth studio album, "ROADRUNNER: NEW LIGHT, NEW MACHINE."
Maroney strives to leave the angst of his earlier projects in the rearview as he negotiates the terms of life and love, despite the adverse anxieties surrounding them.
This Friday and Saturday, the cast will take to the Zoom stage to perform the comedy.
"Fearless (Taylor's Version)" is meticulously faithful to the original with no noticeable changes on the whole, aside from the crisper production and the maturation of Swift's vocals.
No song better exemplifies the approach of covers that listen, feel and reshape through re-experience than Syreeta’s cover of “She’s Leaving Home” by The Beatles.
Almost three years after Demi Lovato's overdose, she makes her triumphant return to music with a full-length studio album and a four-part documentary.
"Godzilla vs. Kong" delivers exactly what the title promises — two giant monsters fight and create chaos around them.
Lil Nas X— a gay, Black rapper— has found a way to embrace this legacy of opposing the imposition of conservative “norms” to tell his own story.
