“Harry Styles” sounds more intimate than any of One Direction’s slickly produced oeuvre, drawing more from classic rock and enlisting only a sparse backing band to accompany its leading man.
Bittersweet memories are in heavy order for the graduating Class of 2017, and little else reflects the graduating students’ nostalgia as accurately as the music they listened to for the last four years.
Even before the end of the first track, it is obvious that “No Shape” — Perfume Genius' first full-length album since 2014’s star-turning “Too Bright”— is a special record.
No more phasey, reverbed guitar on every track. No more odes to smoking cigarettes. No more spontaneously losing drumsticks. In his newest album, “This Old Dog,” Mac DeMarco takes a step forward by looking backward.
“I’m not sure if we’ve ever been here before, not sure ... But it’s good to be here now,” lead vocalist of Twin Peaks Clay Frankel said, greeting a buzzing audience at The Southern Monday night.
In their latest release, Foster the People reclaims some of the successful sounds they established in 2011 while also incorporating new pop sounds.
This surreal fantasy promises depth amid a season cluttered with blockbusters and summer jams.
Josh Brener plays the unassuming yet hilarious Nelson “Big Head” Bighetti on HBO’s hit comedy "Silicon Valley."
Though the group may vary in instrumental style and production between albums, Gorillaz has maintained a quite straightforward formula for their commercial LPs since the animated outfit began in 1998.
Following the unexpected success of their debut self-titled album, electronic duo Sylvan Esso took a three-year pause to tour and enhance their music.
“The Circle,” is a self-proclaimed thriller which attempts to confront the darker aspects of social media and the consequences of technological consumption.
A&E editors recount their favorite works from this year.
Twelve albums into his career, Brad Paisley finds himself in limbo.
Spectrum Theatre transported audience members to early 19th-century England Sunday evening with an awe-inspiring performance of “Pride & Prejudice” in the Newcomb Ballroom.
Scott Miller has a knack for writing songs that make listeners feel like they really know him, even if they haven’t heard of the man. The Cavalier Daily caught up with him before his upcoming show at The Jefferson.
The energetic homecoming show only helped further prove that Parachute is one of Charlottesville’s best local acts.
By its fourth season, "Silicon Valley" is nowhere near a start-up — it is an absolute powerhouse.
Few artists with eight albums under their belt and careers spanning over two decades have been able to successfully reinvent their sound while managing to remain relevant.
The usually dust-covered Memorial Gymnasium was transformed into a sprawling concert hall Friday evening as MisterWives gave an intimate yet electrifying performance for students.
Friday night, IX Art Park hosted the Paul Robeson Players’ performance, “For Colored Girls.”
