‘Two Hands’ sees Big Thief at their best The album’s opener sets the tone pretty early on — “cry with me / cry with me” can be interpreted more as an order than as an inquiry.
Six songs to soundtrack your autumn Before all the leaves are gone and your cute sweaters get replaced by clunky coats, let these songs soundtrack your autumnal bliss.
Interpol captivates at the Jefferson At some point, many mistook a sound check guy for guitarist Daniel Kessler — turns out he was just another skinny white guy with long hair.
'Arizona Baby' showcases Kevin Abstract at his most mature In "Arizona Baby," listeners find themselves situated right into the American South, which is at the root of Kevin Abstract’s identity.
Anderson .Paak leaves fans grasping at thin air There’s no disappointment that accompanies “Ventura.” There’s just an undeniable longing for so much more.
Susana Baca serenades Old Cabell crowd Susana Baca traveled hundreds of miles away from her native Lima to share her stories, her challenges, her lessons and her struggles with identity.
James Blake expands his color palette — finally “Assume Form” demonstrates Blake at his most genuine and his most vulnerable.
Internet aficionado 6ix9ine misses all the marks with ‘DUMMY BOY’ 6ix9ine’s shortcomings as an artist are brought to the surface all throughout “DUMMY BOY.”
J.I.D. hits his stride on ‘DiCaprio 2’ “Dicaprio 2” is a puzzle with gorgeously designed pieces, each with its own complex shape, pattern, vibrance and energy. But none of the pieces fit together, however promising the pile seems to be.
Anderson .Paak carves out ‘Oxnard’ with some Cali cutlery Anderson .Paak's new album "Oxnard" mostly pleases, but the artist disappoints in a few cases by visiting overfamiliar territory.
