A testament to the earnest charm and musical talent of the band, an unorthodox concert format at The Jefferson subverted and transcended what would have been traditional show.
There’s no disappointment that accompanies “Ventura.” There’s just an undeniable longing for so much more.
No moments in history — even ones that were scripted — could compare to Monday night’s joy.
Marsh said making music in Charlottesville is “a very personal experience.… There’s a feeling to every place."
The listener’s point of view does matter. Clair herself is a constant listener, and it’s evident in her music.
Eilish's debut album tells the haunting story of heartbreak and pain without completely ridding Eilish of her teenage goofiness and excitement.
The majority of “Nothing Happens” is characterized by a tragic one-sided relationship and the mental battle of overcoming insecurity both in love and life.
Charlottesville's local artists have found success navigating the new frontier of streaming platforms.
"Gratitude" seems to serve as a healing process for Leftwich, taking the listener through a journey of self-reflection and self-growth.
The British bluegrass quartet stopped by Charlottesville on their “Delta” tour to spread some friendly vibes at John Paul Jones Arena.
Feel free to rock out to these 10 confidence-building tunes that’d make anyone ready to cheer on the orange and blue.
Jukebox the Ghost hasn’t displayed a dynamic shift — rather, theirs is a slow slump into power-pop mediocrity.
The "Black Album" is an unsuccessful attempt by older men to relate to the younger generations.
Despite there being plenty of interesting lyrical content, much of “Tasmania’s” appeal comes from its extravagant instrumentation.
“Wasteland, Baby!” explores a larger extent of Hozier's musical range, relying less on the dark tones which so characterized his earlier work.
The audience is reacquainted with the same sense of pure fun from the “Burning Up” era — but this time with an adult twist.
"Harverd Dropout" does not prove to have been worth the wait, at least for those who seek out rap music that is interesting to listen to.
What the three men lack in flare, they make up for in talent.
Susana Baca traveled hundreds of miles away from her native Lima to share her stories, her challenges, her lessons and her struggles with identity.
The Suffers represent an amalgam of genres — R&B, funk, rocksteady and reggae — which they term “Gulf Coast Soul.”
