“Shadow” is a great showing of talent on the part of the South African television industry. But without smart writing and competent editing, it’s little more than a mediocre action novelty.
Why is Larson facing such a vitriolic online reception? Put simply, she’s a woman with strong opinions.
“Leaving Neverland” should not be shocking. The fact that it is indicates a culture that never truly listened to past accusers.
Despite seasons filled with gag-worthy looks, lip sync battles and juicy drama, the show needs some tweaking to prevent itself from becoming predictable.
The celebrities honored at these events put in almost as much work choosing their outfits as in portraying the characters that got them nominated.
Despite its exhaustive run-time, the Academy is still not hitting all of the marks when it comes to the categories they reward.
At the heart of the documentary is a disconnect between how men and women interpreted Lorena Bobbitt’s actions.
The panel will complement the documentaries through telling more positive, misconception-combatting refugee stories.
While succeeding in paying tribute to the highlights of the genre, “Isn’t It Romantic” also comments on its problematic aspects.
The greatest flaw of “Alita: Battle Angel” is that it either does not care for or does not understand the source material on a thematic level.
“The Lego Movie 2,” however, is more interested in satirizing family-friendly action-adventure movies and is saddled with the baggage those films entail.
A strong, smart, Hispanic role model is both desirable and necessary to see in our modern media, especially with the current political climate.
Netflix’s “Fyre” and Hulu’s “Fyre Fraud,” which were both released last week, dig into a staggering network of fraud and deception with Billy McFarland as the sociopathic, incompetent con artist at the center of it all.
“Mary Queen of Scots” was able to look past the labels given by history and create a more nuanced representation of the lives of two immensely powerful queens.
Although “The Grinch” is sure to delight modern youth, it wastes acclaimed actors in a paltry rendition of a holiday classic.
Favier’s “Slalom” recounts the story of fifteen-year-old aspiring Olympic skier Lyz Lopez (Noée Abita) and the emotional turmoil she experiences when she is raped by the person she trusts most — her coach Fred (Jérémy Renier).
