Examining the legacy of ‘2001: A Space Odyssey’
By Jay Finkelman-Mahoney | April 4, 2018It wasn't always the case that this film was looked upon with such reverence.
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It wasn't always the case that this film was looked upon with such reverence.
As is the case for nearly every other aspect of “Mute,” an utterly mindless sense of style is the number one priority—at the expense of virtually everything else that might be found in a potentially good movie.
As a film, “Bright” is many things — none of them good.
Calling this work a N.E.R.D album might be a slight misnomer, given this project embodies the Pharrell Williams solo oeuvre much more so than any of the group’s previous releases.
The record label-management company-content platform 88rising is an organization which has firmly placed itself at the nexus of the rapidly volumizing diffusion of Asian pop culture into American music.
While calling “The OOZ” a “breakup album” may be a superficially correct statement, the term ultimately fails to do justice to the work’s multilayered imagery woven throughout.
The boys of Netflix’s dramedy “Flaked” are a pretty flakey bunch.
Sometimes subtlety is the enemy of success. If the trailer is any indication, the Edgar Ramirez-directed (“Shaun of the Dead” and hipster favorite “Scott Pilgrim vs.
A song with Calvin Harris, Frank Ocean and two of the three Migos is a strikingly absurd concept, at least on paper.
"Song to Song" will be delightfully weird at the very least and a 2018 Oscar contender at best.
