“Kiss All the Time. Disco, Occasionally” is an inventive record full of vitality, finding the perfect balance between reflection and release.
Why does it seem that many of music’s leading ladies cannot adapt to today’s electronic craze?
"13" is packed with some of Curry’s most high-energy, explosive deliveries yet — but don’t tell that to Curry.
“Lust for Life” ultimately manifests itself as a next step in the artistry of the embattled Lana Del Rey.
Mura Masa’s new self-titled album succeeds on every count. It is one of the most accessible pop albums of recent memory.
Almost two years after his last release “Cherry Bomb,” Tyler, the Creator released two new singles.
After becoming an overnight success following the debut of their self-titled album in 2014, genre-hopping band Royal Blood caught the attention of the rock world.
Released after many delays, SZA’s debut album, “CTRL,” showcases her honest nature and instinctive talent for singing and songwriting.
The boys of Netflix’s dramedy “Flaked” are a pretty flakey bunch.
Indie rock band Arcade Fire’s new single, “Everything Now,” is a masterful comeback anthem after the band’s four-year hiatus.
“RELAXER” is a diverse album even by alt-J standards.
The new release of “Sgt. Pepper’s” comes with a full tape of fresh stereo mixes of each song as well as a second disc of raw takes and recording-studio speeches.
The third season continues Kimmy’s journey after passing her GED exam, and she immediately sets her sights on the next educational stepping stone — college.
“Harry Styles” sounds more intimate than any of One Direction’s slickly produced oeuvre, drawing more from classic rock and enlisting only a sparse backing band to accompany its leading man.
Even before the end of the first track, it is obvious that “No Shape” — Perfume Genius' first full-length album since 2014’s star-turning “Too Bright”— is a special record.
