The enchanting pair brought the concert to a close with Amy Beach’s “Romance” for violin and piano. With this work, Hadelich’s vibrato allowed sustained notes to glow, and his bow control ensured that every phrase connected smoothly with the next.
The ability of the musicians to fully embody the caricature of the family unit was truly impressive, with each movement propelling the audience into contemplation of their own family role. Each movement seemed to resonate with different members of the audience, depending on which role they have themselves embodied.
Timelines across all social media platforms have been plastered with coverage of Beyonce and Taylor Swift's one-of-a-kind productions for months. While this coverage started as positive, it has turned sour in the past weeks, sparking a debate on which artist has the better tour.
The Toronto rapper failed to meet admittedly lofty expectations with an album that, while maintaining some bright spots, proclaims mediocrity.
Since beginning to work with Ix Art Park during the pandemic, Wingate has found significant momentum in her artistic career, particularly in creating public, community-oriented art.
The tones of classic rock and roll and the rhythms of blues swept across a buzzing audience of packed tables and standing spectators as couples danced sweetly on the periphery.
Get ahead of the midterm mayhem and embrace the frights that the month of October can offer. Here are three books to help you delight in all the horror this time of year brings.
Since leaving Charlottesville and evolving past their former student band status, the group has continued chasing the “thrill” of live performance, booking shows up and down the East Coast.
The MRC found its current home in the Mt. Zion Baptist Church in 2004. Since then, they have used this space to assist hundreds of local students in grades six through twelve to connect with both music and their inner selves.
With so much lore, prestige and attention surrounding the art, it begs the question — why does this school care so much about a cappella?
For an especially warming interpretation — and an early start to Christmas cheer — look no further than the Mariinsky Theatre Orchestra’s performance of “Pas de deux.”
This year’s picks include a number of films with star-studded casts and crews.
Every Thursday evening in the belly of Brooks Hall sits the collection of poets, creatives and arts enthusiasts that make up Flux, the University’s student-led poetry and spoken word organization. The only one of its kind on Grounds, Flux plays a unique and important role in the community, giving its participants a place to express themselves and a platform to share their work.
The Paramount Theater hosted more than a screening Saturday night — it was a celebration.
In the latter half of her set, Cyrus brought out a few more emotional pieces, including the first single she released off of “The Hardest Part” — “I Burned LA Down” — an emotional power ballad about her relationship with both love and Los Angeles, her home.
For the benefit of the unenlightened, the Zine Fest website defines a zine as a small-circulation publication which is often handmade and photocopied for the purposes of distribution.
Blending entertainment with friendship and comedy, Amuse Bouche passionately brings a unique craft to the University’s artistic community — long form improv. After a recent performance, members sat down to discuss improv, friendship and comedy.
While staying true to her trademark unique tone and lyricism, the artist provides a healthy dose of experimentation.
At the Special Collections Library, a curated collection of images, art and documents paints viewers a picture of the legacy of the Harlem Renaissance. Its newest exhibition, “Their World As Big As They Made It: Looking Back at the Harlem Renaissance” brings the life and ardor of the Harlem Renaissance to Grounds.
“GUTS” is “SOUR”’s angstier older sister with more nuance regarding the growing pains universally faced by teenage girls.
