“Creed II” is much less hesitant than the first “Creed” to directly lift classic Rocky musical motifs.
"I Am Not A Witch" is an engaging, well-directed film which is appealing even without considering the deeper themes lurking in its subtext.
In “If Beale Street Could Talk,” Jenkins honors the traditions of Baldwin in purest form, putting ugly truth on screen with pure beauty and celebrating the resilience of empathy and love.
Steve McQueen's heist thriller "Widows" shows a gripping tale of four women, led by the excellent Viola Davis, falling into a life of crime due circumstances beyond their control.
Though it may not be able to make audiences cry, "Ramen Shop" will at least make their stomachs growl.
"Parenthood," the 1989 dramedy is overshadowed by the TV show of the same name, but the original source is just as worthy of praise.
If you missed when the actual Fleetwood Mac come to town in 2015, Rumours ATL was an effective consolation — but still, hold out for their next tour.
Depicting mental illness in media is always an ambitious task, but by portraying the last years of tortured artist Vincent van Gogh in "At Eternity's Gate," Willem Dafoe gives the subject the necessary nuance and respect.
There's a sweet simplicity in "Take Good Care," The Revivalists' fourth studio album, an impressive feat considering the variety of instruments and influences packed into fourteen songs.
Stephen Loveridge, director of the film that showed at the Virginia Film Festival, creates an account as vivid and interfering as M.I.A. herself.
This macabre humor typifies director Peter Hedges’ latest film, which screened at the Virginia Film Festival.
When going to see "Nobody's Fool," theaters across the nation will not be dead silent, but they will not be erupting in rapturous laughter either.
A stunning, contemplative piece on sports, art and the human will, “Free Solo” is innovation on the big screen.
The Virginia Film Festival's opening night movie "Green Book" ultimately doesn't deserve a spot in the "Race in America" series due to its tame treatment of racial issues.
The movie challenges, outrages and brings into question America’s current political system.
The sophomore album is a project of great significance for any up-and-coming musician.
The podcast pulls in as many perspectives as possible, both elucidating and complicating the simple narrative of the scandal that many people now remember.
King’s second album “Shake the Spirit” shows her truly defining her own exciting sound.
Glenn Close is the spellbinding center of "The Wife," a drama which chronicles the crumbling of a decades-old marriage.
"Warzone," Yoko Ono's revisions of old tracks, proves that the veteran artist still has the ability to innovate.
