Ghostface Killah's latest release is "Ghost Files," a remix of his 2018 work "The Lost Tapes."
The sophomore album is a project of great significance for any up-and-coming musician.
Noname's first full-length album "Room 25" shows a continuation of the hip-hop artist's unmistakable themes and style, centering around political issues and told in a unique, slam poetry fashion.
For all the connotations of explosive aggression its name might invoke, “There’s a Riot Going On” is more meditative reflection than it is protest music.
There are few musicians in the modern hip-hop scene who even come close to matching the prolific consistency and sheer output of Gucci Mane.
There truthfully isn’t a solution to this societal degradation America has found itself in, but at least within the allegories of “Luciferian Towers,” one can find comfort knowing the damage it has reaped has not gone unseen.
Kesha's newest album "Rainbows" seems simple at first glance, but closer inspection betrays a wealth of emotion.
Though the group may vary in instrumental style and production between albums, Gorillaz has maintained a quite straightforward formula for their commercial LPs since the animated outfit began in 1998.
In its spoken word singing, jaded storytelling and nearly nonexistent instrumentation, “A Crow Looked At Me” portrays the feelings of grief and life after tragedy with shocking realism.
King Gizzard and the Lizard Wizard is quite possibly the only band making music that sounds as strange and off the wall as their name does.
