This ‘Spirit’ proves destructible
By Catherine Jessee | October 18, 2012Nelly Furtado is one of pop’s more prolific artists: she has released an album every three years since 2000.
Nelly Furtado is one of pop’s more prolific artists: she has released an album every three years since 2000.
We now know Playboy considers the University the nation’s number-one party school, but here’s a question just as debatable: Is Charlottesville a Southern city?
English rock band Muse is back with its new album The 2nd Law. The record marks the group’s return to the studio after its successful Resistance tour, which passed through Charlottesville in 2010.
When Mumford & Sons released their single “I Will Wait” — aptly named for fans who struggled through a three-year musical dry spell from the group — in early August, they coupled it with a YouTube video showing a random street passing under the camera’s eye.
If you want to hear all your favorite, traditional Christmas tunes with a few extra syllables of country twang thrown in courtesy of Blake Shelton, then Cheers, It’s Christmas is the album for you.
Reggae fans, rejoice! The California-based band Rebelution will be making its way through Charlottesville Oct.
The entertainment world constantly regurgitates formulaic and uninspired ideas. The film industry is supersaturated with half-hearted continuations of franchises.
As temperatures cool and leaves turn a pleasant washed-out gold, the early-fall release of Band of Horses’ Mirage Rock is nothing but timely.
It takes the perfect storm to create a great album, and Little Big Town’s fifth studio album, Tornado, is tearing up the country charts.
If I could combine the Jack White concert I saw at Firefly Music Festival in July with his concert last weekend in Charlottesville, I’d be in Jack White heaven.
Since the 2007 release of An Ocean Between Us, the Grammy-nominated quintet As I Lay Dying has become one of the crusaders of melodic metalcore, a subgenre whose decline has been marked as its former champions experiment with other brands of metal.
Trying to contain my enthusiasm at finally hearing The Killers’ latest album, I started listening to Battle Born on repeat as soon as the pre-release stream started on iTunes.
Canadian indie pop band Stars brought its month-and-a-half-long North American tour to the Jefferson Theater Tuesday.
The Truth About Love, like most of Pink’s albums, is a collection of rowdy songs with enough enthusiastic beats, trashy lyrics and gentle cheesiness to make them perfect for singing along at an obnoxiously high volume. As the first few songs play, it seems as though the singer’s sixth album will be her most subdued effort to date.
After listening to G.O.O.D. Music’s Cruel Summer, my very first thought was that Kanye West did not need to make this album.
Hold on to your cowboy hats because country’s craziest duo, Big & Rich, has just released its fourth studio album, Hillbilly Jedi. Despite the title, much of the record showcases the duo’s more serious side.
Ben Folds is a busy guy. He has sat alongside fellow precocious pianist Sara Bareilles as a judge on NBC’s The Sing-Off.
It’s been more than 20 years since the Dave Matthews Band was formed right here in Charlottesville.
Bob Dylan sounds downtrodden. And it’s perfect. In his latest release Tempest the 71-year-old Dylan plays the worn, grizzled storyteller, recounting his life and the lives of others in his timeless voice. Dylan’s infamous rasp plods steadily through the album and betrays more raw emotion than most singers could dream of expressing.
You can take the beast out of the jungle, but you can’t take the jungle out of the beast. Until a few years ago, Animal Collective had the peculiar distinction of being the “strangest band alive,” due in no small part to the group’s psychedelic sensibility, radical sonic experimentation and blatant disregard for conventional conceptions of “music.” But in 2009 it looked like the band had ditched its odd routine in favor of the ethereal and accessible pop on Merriweather Post Pavilion, an acclaimed effort that earned the group a broader audience. While writing their next album, all four members of the band moved back to their hometown of Baltimore, Maryland, where as childhood friends they had originally begun playing music.