These five tracks — spanning multiple decades — all provide a sense of solace through their gentleness.
The composition process is intensive, starting early in the summer as the music writing committee prepares to craft music for their annual fall and spring concerts.
Gathered in the cozy ambience of the Southern Café & Music Hall, University students joined Charlottesville locals this Saturday for a night of live music. While the Charleston-based headliner Easy Honey showed off their polished sound and unique energy, the two opening acts stole the show by captivating the audience.
The process of making music can be an isolating one. Fourth-year College student Piergiorgio Wilson recognizes this shortcoming, and through personal and professional efforts is working to bridge the musical gap.
Even though each member has different degrees of musical backgrounds, the group’s adaptability, perhaps their strongest element, is evidenced by their cohesiveness on stage.
These five autumnal tracks with notes of folk, country and melancholy will help listeners traverse the retrospective and confusing emotions of the fall season.
U.Va. alumna and singer-songewriter talks about new music and recent accomplishments since moving to New York City
Chinchilla Café is not exactly a café, but they do have chinchillas — and so much more.
A good cry about life and getting older might be in order to recover from these last few weeks of exhausting assignments. Here are four songs about getting older to get those waterworks flowing after a few grueling weeks of midterms.
The enchanting pair brought the concert to a close with Amy Beach’s “Romance” for violin and piano. With this work, Hadelich’s vibrato allowed sustained notes to glow, and his bow control ensured that every phrase connected smoothly with the next.
The ability of the musicians to fully embody the caricature of the family unit was truly impressive, with each movement propelling the audience into contemplation of their own family role. Each movement seemed to resonate with different members of the audience, depending on which role they have themselves embodied.
Timelines across all social media platforms have been plastered with coverage of Beyonce and Taylor Swift's one-of-a-kind productions for months. While this coverage started as positive, it has turned sour in the past weeks, sparking a debate on which artist has the better tour.
The Toronto rapper failed to meet admittedly lofty expectations with an album that, while maintaining some bright spots, proclaims mediocrity.
The tones of classic rock and roll and the rhythms of blues swept across a buzzing audience of packed tables and standing spectators as couples danced sweetly on the periphery.
Since leaving Charlottesville and evolving past their former student band status, the group has continued chasing the “thrill” of live performance, booking shows up and down the East Coast.
With so much lore, prestige and attention surrounding the art, it begs the question — why does this school care so much about a cappella?
For an especially warming interpretation — and an early start to Christmas cheer — look no further than the Mariinsky Theatre Orchestra’s performance of “Pas de deux.”
In the latter half of her set, Cyrus brought out a few more emotional pieces, including the first single she released off of “The Hardest Part” — “I Burned LA Down” — an emotional power ballad about her relationship with both love and Los Angeles, her home.
While staying true to her trademark unique tone and lyricism, the artist provides a healthy dose of experimentation.
“GUTS” is “SOUR”’s angstier older sister with more nuance regarding the growing pains universally faced by teenage girls.
