In their latest release, Foster the People reclaims some of the successful sounds they established in 2011 while also incorporating new pop sounds.
This surreal fantasy promises depth amid a season cluttered with blockbusters and summer jams.
Though the group may vary in instrumental style and production between albums, Gorillaz has maintained a quite straightforward formula for their commercial LPs since the animated outfit began in 1998.
Following the unexpected success of their debut self-titled album, electronic duo Sylvan Esso took a three-year pause to tour and enhance their music.
“The Circle,” is a self-proclaimed thriller which attempts to confront the darker aspects of social media and the consequences of technological consumption.
A&E editors recount their favorite works from this year.
Twelve albums into his career, Brad Paisley finds himself in limbo.
Spectrum Theatre transported audience members to early 19th-century England Sunday evening with an awe-inspiring performance of “Pride & Prejudice” in the Newcomb Ballroom.
The energetic homecoming show only helped further prove that Parachute is one of Charlottesville’s best local acts.
By its fourth season, "Silicon Valley" is nowhere near a start-up — it is an absolute powerhouse.
Few artists with eight albums under their belt and careers spanning over two decades have been able to successfully reinvent their sound while managing to remain relevant.
The usually dust-covered Memorial Gymnasium was transformed into a sprawling concert hall Friday evening as MisterWives gave an intimate yet electrifying performance for students.
Friday night, IX Art Park hosted the Paul Robeson Players’ performance, “For Colored Girls.”
While The Chainsmokers did everything they could to hide behind theatrics, there was something missing in their live performance.
Ben Folds treated long-time fans at The Jefferson on April 14 with songs as relevant and poignant as ever.
“The Search for Everything” is not likely to convince any John Mayer skeptics of his talent, and it is not likely to create doubt for any Mayer diehards.
The group’s fifth studio album, while not an obvious failure, lacks all of what made Little Dragon so notable in the first place.
Kendrick Lamar Duckworth is without a doubt the the most polarizing rapper of his generation.
Lady Gaga’s newest single, “The Cure,” was announced last weekend amongst the fanfare of a roaring Coachella crowd and subsequently released overnight with nothing more than a digital whisper.
“Seats at the Table” — a new documentary previewed at the Tom Tom Founders Festival that is set for official release in 2018 — chronicles the conversations between University students and inmates at a maximum security juvenile correctional center.
