“The Lego Batman Movie” delights with a strong and humorous narrative that explores complex emotions in the guise of a wacky kids movie.
“Fifty Shades Darker,” the long-awaited sequel to its softcore porn predecessor, “Fifty Shades of Grey,” was released Friday.
Deep within the political and social turmoil of the present day lies a hopeful band revealing the raw truth of the world.
Adopting darker lyrics and instrumental experimentation, “Snowdonia” exemplifies the classic appeal of Surfer Blood’s sound while introducing a welcome, matured approach to its execution.
“Faulkner: Life and Works” is an immersive exhibition detailing the author’s history both on and off Grounds.
Lady Gaga’s Super Bowl halftime show was surprisingly palatable, especially given the rumors that she would deliver a “definitive” statement on politics.
“The Lure” is the best Polish rock opera about cannibalistic mermaids you will see all year.
The finale of "Crazy Ex-Girlfriend" exceeded all standards by “leaps” and bounds in the show’s strongest showing yet.
“I Decided.,” the most recent release from Big Sean, is another strong project for the Detroit artist and features the likes of Eminem, Jerimih and Migos.
Maybe “Powerless” just hasn’t hit its stride yet — but if it doesn’t improve soon, the show is doomed to become its own kryptonite.
A little more than halfway through its first season, it’s clear HBO’s “The Young Pope” is a striking visual masterpiece. It’s also a terrible television show.
Rapper Milo threw out all the rules at his recent concert in the Chapel on Friday.
The subtle exclamation of “The Sounds and Silences of Black Girlhood” — a mini-exhibit in the Special Collections Library — exists as an undeniable reminder of the inherent resistance black women express from a young age.
If there is any band that has proven its ability to distinguish itself from the current indie rock crowd, it would have to be Cleveland-rock outfit Cloud Nothings.
“Culture” comes together as Migos once again make a series of attempts to stick to their tried and true formula, yet it fails more than succeeds.
“Nothing Feels Natural” is the title of Priests’ first full-length album, but it’s also a statement that could express the current state of the nation.
Mike Mills’s latest film, “20th Century Women,” takes a compelling snapshot of this cultural metamorphosis while presenting a poignant celebration of femininity.
Nearly every question directed at Díaz involved writing or art, and the author had a lot to say on both topics. “We’re not here to make friends,” he said, referring to the role of writers.
Four and a half years following their critically-acclaimed sophomore album “Celebration Rock,” Japandroids finally returned with “Near to the Wild Heart of Life,” once again proving they are one of the most underappreciated groups in the industry.
“Hallelujah Money” — released Jan. 19 — is the first official release from the band in over six years and features Albarn collaborating extensively with British poet and musician Benjamin Clementine.
