Taylor Swift's "reinvention" comes in the form of "Look What You Made Me Do" — a bizarre new single that only reinforces Swift's old styles.
Monday morning, UPC announced Future and Lil Yachty as the 2017 Welcome Week concert performers.
Faculty in U.Va.’s Studio Art and Drama departments make significantly less than their colleagues in other fields and schools.
“Climate Change” is about what one would expect from a Pitbull release. Though there are only a few surprises along the way, the album gets the job done with a handful of bangers.
Kodak Black is no stranger to controversy. After questionably featuring Danielle Bregoli — the 13-year-old “Cash me Ousside” girl from Dr. Phil — in his previous video “Everything 1K,” Black was thrust into the spotlight.
Adopting darker lyrics and instrumental experimentation, “Snowdonia” exemplifies the classic appeal of Surfer Blood’s sound while introducing a welcome, matured approach to its execution.
Over the course of a 33-year career, The Flaming Lips have always presented a solid psychedelic rock sound.
“Enlighten Us: The Rise and Fall of James Arthur Ray” first premiered earlier this year at the Tribeca Film Festival and was re-aired as a CNN special this month.
French electro-pop duo Justice has returned after a four year hiatus — five years, if you exclude their last album of live performances — with a new yet familiar sound on “Woman.”
Two years ago, Banks snuck onto the scene with the release of her first full album “Goddess.” On “Goddess,” the singer established her distinctive style, marked by dark, rhythmic house beats, melancholic lyrics and melodically gritty croons.
