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News

utris' yearning for 'Home' fuels vision

From romantic misunderstandings to spiritual misgivings, the rock 'n' roll and punk melodies of utris' third album, "The Long Walk Home," recounts the pivotal moments in a boy's maturation into a man. &nbsp Liner Notes Album: "The Long Walk Home" Artist: Utris Featuring: "The Long Walk Home" "Some Gurls"Grade: B Each song articulates a different aspect of the difficulties of becoming a man in the modern world, describing an incredible journey "home." But these four men may already be there. Although the theme of the album is derived from the hardships of growing up, the songs themselves are uniquely pleasant. utris clearly prides itself on its individual sound, but the album's intro does little justice to the band's style.


News

Last in trilogy leaves fans something to 'Scream' for

What is the difference between sequels and trilogies? According to Randy (Jamie Kennedy), the movie geek in the "Scream" series, a sequel follows the same formula as its predecessor, whereas the third installment of a trilogy veers off in its own direction.


News

Lo-Fidelity All-stars perform like rookies

American club culture still is brandishing its fake ID to get through the doors of electronica. Fortunately, for a nation with a double-digit musical IQ, there is a saving grace: Europe, home of romance languages, political coups and intelligent music. By night, beautiful beats bang out of streetside saloons from Sussex to Ibiza, and by day scores of Brits and Parisians immerse themselves in techno, big-beat, ambient and drum-and-bass for the sole reason that electronic music is radically thoughtful and brilliant.


News

Majority rules: exploring race, gender issues on primetime TV

For the last few months, record numbers of TV viewers have been asking, "Who Wants to Be a Millionaire?" And according to the hit ABC game show, the final answer is: upper-middle class white guys. While it's unlikely that the show's producers consciously practice gender, racial or class discrimination among their contestants, so far "Millionaires'" players have been suspiciously monochrome: Of the 85 winners featured on the game's official Web site, all but one is white and only nine are women.


News

'Rock': Robbins' period politics

"Cradle Will Rock," written and directed by Tim Robbins, begins with a blaring newsreel that recalls the opening of Orson Welles' "Citizen Kane." Robbins also makes use of long, mobile takes, just as Welles did in "Touch of Evil." But don't let such similarities trick you into thinking that "Cradle" will become any kind of classic, much less one worthy of comparison with "Kane." A course on newspaper journalism of the time or on William Randolph Hearst's life isn't necessary to enjoy and understand Welles' masterpiece.


News

Pretentious Elliott's 'Eye' spies little redeeming value

"Obsession and surveillance do not mix." That was one of the main themes of "Rear Window," but Stephan Elliott, writer-director of "Eye of the Beholder," doesn't seem to be aware that Hitchcock beat him to the punch. In this artsy yet technologically sophisticated film, Elliott ("The Adventures of Priscilla, Queen of the Desert") attempts to develop a story about the passion of a surveillance expert for a femme fatale. "Eye of the Beholder" stars Ewan McGregor as the Eye, an agent for the British consulate who has been assigned to a case in which he discovers Joanna (Ashley Judd). Almost immediately after the Eye begins to watch his subjects, Joanna seduces and kills the person to whom the Eye was assigned.


News

Masters of their domain

Care to be astounded? How about scared, nervous or ecstatic? Think exhilaration requires a road trip away from your dorm room or apartment?


News

Tearing down a cultural patriarchy

In a society where the white male dominates mass media, the voices of black women artists are vitally important to providing a realistic and personal portrayal of what it means to be African-American and female in American society.


News

Brilliant 'Magnolia' blooms with insight

1999 was certainly a banner year for film. Movies explored the heart of a disenchanted husband ("American Beauty"), the soul of a misunderstood killer ("The Talented Mr. Ripley"), and, quite literally, the mind of an enigmatic movie star ("Being John Malkovich"). But in "Magnolia," writer-director Paul Thomas Anderson confronts us with an even more hidden frontier: ourselves. Taking a cue from Robert Altman, whose "Short Cuts" saw characters of varying degrees of sympathy intersect in Los Angeles, Anderson's superior ensemble effort captures a frenetic 24-hour period in the lives of roughly one dozen self-centered characters. What Anderson is most interested in is the myriad ways we connect and the hidden effects we have on one another in life.


News

'Angela's Ashes': bleakness of Blarney

Watching the film adaptation of Frank McCourt's memoir of Irish misery is an emotionally draining experience. From its opening images of Brooklyn's run-down and disease-ridden tenements, it is apparent that "Angela's Ashes" will not be a particularly enjoyable movie.

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