In season five, “Archer” veered away from its tried and true formula of portraying the exploits of a bumbling spy agency made up of mad scientists, chronic alcoholics and sex maniacs, shutting down the agency in the pilot episode.
The pop music industry is tough to crack into — requiring the right timing, the right voice and the right song.
It is no easy feat to quiet a theater audience. Once the credits start rolling, it is normal to hear whispers and laughs as people get up from their seats to awkwardly shuffle towards the exit.
“Selma” is the most important film of the year. “Birdman” may be the most technically creative.
“The Interview,” the highly anticipated satirical film with duo Seth Rogen and James Franco, falls short of the hype that accompanied its release.
Fourth-year Commerce student Campbell Ross will take the stage at The Southern this Thursday to represent the University during the venue’s Laugh Your Ass Off stand-up comedy night. The LYAO series is part of a local initiative to fill what Lindsay Dorrier, marketing manager for The Southern and The Jefferson, calls “a glaring hole in the local entertainment scene.” Dorrier created the LYAO comedy showcase, using the scheduled performance of comedians Noah Gardenswartz and Kenny Wingle to forge a connection with the University and draw students Downtown in support of Ross. “I’m interested in club level comics that don’t hold back,” he said in an email — and it seems Ross fits the bill. Upon being asked to recommend a successful student comedian, Christopher Hutson, fourth-year College student and president and co-founder of the Student Stand Up Club, said he immediately thought of Campbell. Ross began performing in high school, when he presented a mixture of stand-up comedy and improv for a senior project. Now Ross tackles a variety of topics onstage, and said his time at U.Va.
For nearly two decades, Belle and Sebastian have provided the soundtrack to a cloudy day with calm, pensive and melancholy music.
Experimental electronic artist Panda Bear opens his fifth solo album, “Panda Bear Meets the Grim Reaper,” on a gentle note.
Each year, critics and movie buffs decry the Academy of Motion Picture Arts and Sciences’ list of nominees for the Academy Awards, chastising the Academy for missing obvious choices, overlooking powerful performances, or focusing on too narrow a set of films.
A new year marks a fresh start for moviegoers — audiences wait to see which movies will be smash hits and which will be utter flops.
There is a key difference between seeing a movie and viewing a play. In a play, anything can happen.
“Exodus: Gods and Kings,” Ridley Scott’s new film about the well-known Old Testament book and the latest in Biblically-inspired epic films, has a bit of a misleading title. The film, though enormous in scale, is not really about gods and kings at all.
Arts and Entertainment has scoured the internet for lists of artists to watch in 2015. To save our readers a little time and trouble, here is our take on this year’s up-and-coming stars, as selected by a few of the music industry’s biggest names in journalism. Years & Years Called “fresh and innovative” by MTV and providing “charisma and allure” according to The Huffington Post, this group picked up Bruno Mars’ unique pop and blended it seamlessly with delicate beats to create “Desire,” an emotionally charged track that is both dark and energizing.
Buried in obscurity for the past 14 years, R&B singer D'Angelo has resurfaced — his new record, “Black Messiah,” presenting a tempestuous blend of funk, soul, rock and gospel. But “Black Messiah” is more than just a comeback record.
Nominations for the 87th Academy Awards will be announced Jan. 15, and figuring out who and what the Academy will nominate can feel like piecing together clues to solve a mystery.
Across genres, it has been a pretty great year in music.
This has been an excellent year for film, offering everything from gripping blockbusters to innovative personal films.
It has become common practice among music artists to repackage their albums in an effort to simultaneously boost single sales and dish out new content by slightly renaming the album or slapping “Deluxe” onto the title.
David Guetta cemented his status as one of the world’s premiere DJs with the release of his last album, “Nothing But The Beat.” His latest studio album, “Listen,” is another fantastic addition to the artist’s electronic dance music catalogue, featuring collaborations from Nicki Minaj, MAGIC!, Emeli Sande, The Script, Sia, John Legend, Bebe Rexha and more.
With movie franchises trying to make as many films possible to capitalize on profits, the artistic integrity of making a single novel made into multiple movies is certainly questionable.
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