In the middle of a busy day, a handful of James Joyce enthusiasts brought out their well-marked and coveted copies of his magnum opus, “Ulysses,” for the first event of its kind — U.Va.
Two courageous souls from the Cavalier Daily’s Arts & Entertainment section braved the Paramount for a night of horror on Apr.
Death Cab for Cutie’s eighth studio album “Kintsugi” truly emanates the Japanese art it is aptly named after — the reparation of broken pottery with a lacquer mixed with precious metals, which ironically makes the broken object more valuable than fully intact ceramics.
Vocalist Danny Worsnop left metalcore group Asking Alexandria and formed an ‘80s rock band to preach motifs of fornication, ogling and countless other taboos into the ears of scene kids worldwide.
“American Candy,” the Maine’s fifth and latest album, is just as decadent as the Arizona-natives’ previous work.
Left & Right began their musical career in Charlottesville while driving buses for the University Transit Service.
The Jefferson Theater was surprisingly calm last Wednesday night when opening act Bhi Bhiman took the stage to play a set of songs from his upcoming album, “Rhythm and Reason.” The mellow atmosphere worked for Bhiman, who played his soulful folk-rock music with only an acoustic guitar, silhouetted by a single spotlight.
Dancers hit the floor, colliding as they fall onto the linoleum before quickly picking themselves back up.
MTV’s breakout summer hit “Finding Carter” returns right where the season one finale left off — Carter Stevens (Kathryn Prescott) has been abducted yet again by Lori Stevens (Milena Govich), who is fervently determined to resurrect the life that she had constructed for them both following Carter’s reunion with the Wilson family.
Tennessee rockers Diarrhea Planet will be making their third Charlottesville appearance this year Friday at the Southern Cafe & Music Hall.
Visiting from Tselani, Arizona, traditional Navajo weaver D.Y. Begay came to Charlottesville last Wednesday to share her culture and hand-made pieces with University students and the Charlottesville community.
Since its inception in 2010, Tedeschi Trucks Band has been a massive presence in the world of blues music.
Fox released its pilot episode of its new sitcom “Weird Loners” last week. Unfortunately, based on the predictable plot and cringeworthy attempts at humor in the show’s “Weird Pilot,” the series doesn’t look promising.
Electronic musician Dan Deacon is no stranger to the show circuit. Having a career born and bred in the sweat-soaked incubator of house shows and “do-it-yourself” venue culture helped increase his familiarity.
“There’s only a shadow of me; in a manner of speaking I’m dead.” So remarks Sufjan Stevens on “John My Beloved,” the ninth track on his latest release, “Carrie & Lowell.” Although the line ostensibly pertains to Stevens’ Christian faith — the song acts as an exchange between Jesus and John the Baptist — it also serves as a fitting epithet for his current musical identity. At just under 45 minutes in length, “Carrie & Lowell” is Stevens’ shortest release, particularly in contrast to 2010’s “All Delighted People,” a so-called EP, which is stretched across a full hour.
The period between adolescence and adulthood rests on thin ice. It’s an awkward stage, burdened by nostalgia for simpler times and worries stemming from newfound responsibilities.
Sutton Foster and Hilary Duff inject new life into “Younger,” a TVLand comedy-drama. The two-episode premiere initially lacks the momentum necessary to captivate an audience, but the star actresses make good use of their given roles and put on a largely revitalizing show.
The men of Bombadil have returned to the forefront of the indie music scene with the release of their fifth studio album “Hold On.” Other than peppering their music with electronics, there’s little to distinguish this album from earlier material, and Bombadil’s renowned quirkiness and smooth instrumentation remain as wonderful and deep as ever. Bombadil will be performing at The Southern May 16 to support the release of “Hold On.” “Hold On” deviates strikingly from past Bombadil albums by slowly introducing electronic elements, a realm the band has not really delved into.
Luke Bryan’s latest 11-song release, comprised of five original songs and six from Bryan’s previous “Spring Break 6...Like We Ain’t Ever” EP, is the last in a line of seven annual EPs with the same theme.
The University Singers and Chamber Singers’ “American Pioneers” concert this past Friday shook the foundations of Old Cabell Hall and highlighted talented composers from the early 20th century.
