Distance sucks. There’s really no other way to put it. Sure, with the Internet expediting communication and shows like “Catfish” glamorizing transcontinental romance, you’d think it’d be easy to surmount hundreds of miles in pursuit of love.
The Virginia Film Festival has a rich tradition of bringing the silver screen’s best to Charlottesville, and this year was no exception with “Philomena” as a shining beacon.
At the tender age of 5 years old, my grandfather took me to see Disney on Ice: Beauty and the Beast.
Sprinkled throughout the crowd of 14,000 screaming Taylor Swift fans were illuminated signs covered in various combinations of glitter, Christmas lights and beloved lyrics.
The old photograph hanging in the Fralin Museum wouldn’t seem special on its own. It’s just a 1930s group shot: a bunch of people on a ship deck, gathered around a lifebuoy that reads “SS Europa.” They are actually the African-American cast of a 1932 film, “Black and White,” en route to Moscow for filming.
Thirty-four original Ansel Adams photographs on display at the Fralin Museum bring visitors through his professional career, from his early work in the 1920s up through his ’50s masterpieces.
Fans of folk and country duo The Civil Wars will likely never hear their eponymous second album live.
What makes a car chase movie special? Certainly not what Courtney Solomon’s latest flick “Getaway” presented.
Legendary director Woody Allen is back again with another film exemplifying his storytelling prowess, “Blue Jasmine.” Taking place in modern-day San Francisco, the film focuses on the perils of financial downfall.
The University is home to a variety of notable alumni, but it’s not every day that current Wahoos can enjoy former students’ career choices on the radio.
The Lawn will come alive Wednesday as students congregate to take part in one of the University’s most treasured traditions: Rotunda Sing.
Let’s forget for a minute that John Mayer spent his early career as a brooding ladies’ man, that he has dated every vapid starlet in Hollywood from Jessica Simpson to Taylor Swift and that his early singing style was so breathy he might have in fact swallowed several microphones.
Everyone is talking about “Orange is the New Black,” the Netflix original series released mid-July based on a memoir of the same name.
Few movies have the ability to be both charming and grittily realistic at the same time, but August’s limited release indie ‘The Spectacular Now’ masterfully pulls off this feat.
Some people say that television rots the brain. I never believed this to be true until I flipped through channels and came across ABC Family’s ‘The Vineyard.’ After watching one episode of the hour-long program, I felt my intelligence insulted by the contrived and shallow premise.
The words “pompous” and “pretentious” are bound to come up in any discussion of Aaron Sorkin, given the award-winning writer’s propensity for stuffing his characters’ mouths with the sort of pseudo-intellectual babble you might expect to hear in a high school politics classroom.
With looming finals dampening everyone’s spirits, it seems to be the perfect time to look ahead to a sunnier, more melodic season.
Believe it or not, the Yeah Yeah Yeahs have been around for a decade now. While most bands would have faded into obscurity since then, the Yeah Yeah Yeahs prove that they are more than capable of producing fresh, new music with the release of their new album, Mosquito, last Tuesday.
If you’re a true metal fan, you’ve likely been spending the last few weeks biting your fingernails with your Monthly Metal Allowance crinkling in your pocket while you anxiously scan The Cavalier Daily for my judgment of Killswitch Engage’s (KSE’s) latest album, ‘Disarm the Descent.’
The low-profile Charlotte Aitchison, who performs under the moniker Charli XCX and gained international popularity as the featured artist of Icona Pop’s anthemic “I Love It,” recently released her own studio debut, ‘True Romance,’ an album full of songs about love, relationships and partying.
