In 2010, Carrie Brownstein announced that riot grrrl/punk band Sleater-Kinney would put out a new album some time in the next five years.
Until now, any prediction of Academy Awards winners was pure speculation.
Falling in Reverse’s newest album has fans giddy with anticipation.
Sundays are a big night for HBO.
The Decemberists kicked off the new year with its lively seventh studio album, “What a Terrible World, What a Beautiful World” — marking a 15-year-long career.
Jennifer Aniston has long been the poster girl for the romantic comedy heroine: unlucky in love — until she meets the perfect guy.
Fiction writer Thomas Pierce and poet Ansel Elkins shared their latest works at The Bridge Progressive Arts Initiative earlier this month.
“Mortdecai” is a lousy film, riddled by a weak and linear plot. The plot brings the audience to some attractive destinations — England, Hong Kong, Russia, and the United States — but the locales are wasted on the film’s lackluster premise and execution. The film’s protagonist — played by the ever-quirky Johnny Depp — is Charlie Mortdecai, an art-dealing English aristocrat who finds himself saddled with 8 million pounds of debt.
In season five, “Archer” veered away from its tried and true formula of portraying the exploits of a bumbling spy agency made up of mad scientists, chronic alcoholics and sex maniacs, shutting down the agency in the pilot episode.
The pop music industry is tough to crack into — requiring the right timing, the right voice and the right song.
It is no easy feat to quiet a theater audience. Once the credits start rolling, it is normal to hear whispers and laughs as people get up from their seats to awkwardly shuffle towards the exit.
“Selma” is the most important film of the year. “Birdman” may be the most technically creative.
“The Interview,” the highly anticipated satirical film with duo Seth Rogen and James Franco, falls short of the hype that accompanied its release.
Fourth-year Commerce student Campbell Ross will take the stage at The Southern this Thursday to represent the University during the venue’s Laugh Your Ass Off stand-up comedy night. The LYAO series is part of a local initiative to fill what Lindsay Dorrier, marketing manager for The Southern and The Jefferson, calls “a glaring hole in the local entertainment scene.” Dorrier created the LYAO comedy showcase, using the scheduled performance of comedians Noah Gardenswartz and Kenny Wingle to forge a connection with the University and draw students Downtown in support of Ross. “I’m interested in club level comics that don’t hold back,” he said in an email — and it seems Ross fits the bill. Upon being asked to recommend a successful student comedian, Christopher Hutson, fourth-year College student and president and co-founder of the Student Stand Up Club, said he immediately thought of Campbell. Ross began performing in high school, when he presented a mixture of stand-up comedy and improv for a senior project. Now Ross tackles a variety of topics onstage, and said his time at U.Va.
For nearly two decades, Belle and Sebastian have provided the soundtrack to a cloudy day with calm, pensive and melancholy music.
Experimental electronic artist Panda Bear opens his fifth solo album, “Panda Bear Meets the Grim Reaper,” on a gentle note.
Each year, critics and movie buffs decry the Academy of Motion Picture Arts and Sciences’ list of nominees for the Academy Awards, chastising the Academy for missing obvious choices, overlooking powerful performances, or focusing on too narrow a set of films.
A new year marks a fresh start for moviegoers — audiences wait to see which movies will be smash hits and which will be utter flops.
There is a key difference between seeing a movie and viewing a play. In a play, anything can happen.
“Exodus: Gods and Kings,” Ridley Scott’s new film about the well-known Old Testament book and the latest in Biblically-inspired epic films, has a bit of a misleading title. The film, though enormous in scale, is not really about gods and kings at all.
