Big Sean’s latest studio album comes at a pivotal point in the rap music industry. Drake recently surprise released an album and Kendrick Lamar is making waves with new music, while newcomers like Rae Sremmurd and O.T.
From the start of its lackluster publicity pushes, “Jupiter Ascending” failed to live up to its promise to be one of the biggest sci-fi blockbusters of the year.
Everyone’s favorite yellow sponge from Bikini Bottom is back in “The SpongeBob Movie: Sponge Out of Water.” This film, directed by Paul Tibbitt, is essentially an extended “SpongeBob” episode that transports the audience to an altered state of consciousness.
Originally intended as a spin-off of “The Office” with Ed Helms or Craig Robinson playing a lynchpin part, “Parks and Recreation” was so unsure of itself during its first season that even the all-star cast couldn’t have saved it.
Last week, author Caryl Phillips read a section of his new novel “The Lost Child” to an audience on Grounds. Phillips is known for his post-colonial style of writing — characterized by a passage of time and space as well as insight into how history dwells on names and people.
The 87th Academy Awards Sunday evening brought an end to a contentious and controversial awards season, though the telecast itself was a mixed bag.
The release of Florence and the Machine’s new song and music video “What Kind of Man” marks the end of the group’s lighthearted era.
"Locust Avenue” — the first LP from Nettles — is an indie offering with built-in surprises.
Last week, photographer Thomas Struth participated in a discussion with Assoc. Architecture Prof. Nana Last, who is is currently writing a book about Struth, and Art Prof. William Wylie.
Forget the fact that “50 Shades of Grey” is an awful piece of filmmaking and that I almost left within the first ten minutes. Forget that its script is laughable, its actors’ chemistry unbearably dull, and that its supposed sexiness is about as sexy as an itchy wool turtleneck.
Last Thursday, Drake pulled a Beyoncé, tweeting a link to a project entitled “If You’re Reading This It’s Too Late.” It arrived with no singles, no marketing campaign and minimal immediate fanfare. This isn’t to say the LP-cum-mixtape went under the radar – that’s been unthinkable for Drake for half a decade now – but it’s certainly a far cry from the Canadian artist’s past releases. The difference goes beyond release style, however.
Stand-up comedian Lee Camp, a former humor columnist for The Cavalier Daily, is returning to Charlottesville Saturday to perform at the Main Street Annex.
Visiting one of the final dress rehearsals for the “Vodka Variations,” one immediately gets the sense that a play of this size has not been performed in a while. A spiral walkway acting as the major set piece coils around Culbreth Theatre, with just enough space for a live string quartet to sit in the middle.
Led Zeppelin is easily one of the most iconic bands in the history of rock ‘n roll. Not only are all four members considered among the best musicians of all time, but they successfully combined their talents to create a unique style of blues-influenced hard rock Tribute band and perennial Jefferson Theater visitor Zoso, named after Led Zeppelin guitarist Jimmy Page’s identifying symbol, replicated the atmosphere of a 1970s Led Zeppelin show.
Set inside Main Street Annex’s cozy, blacklight-illuminated venue, “Unlucky in Love” combined the themes of Valentine’s Day and Friday the 13th to offer a unique showcase of four bands: Dude ‘n B----, Paul Waggener and the Howling Grimness, The Upper Deckers, and headliner Drunk Luke and the Broken Bottles. The show kicked off with Jenny Rhubright and David Lee Archer performing in an alternative country duo they refer to as Dude ‘n B----, accompanied by two musicians from the upcoming Howling Grimness band.
The Oscars are Sunday, and with them the Academy of Motion Picture Arts and Sciences will announce its picks for the best of film in 2014.
Despite an attempt to reflect the edginess promised to fans in “Fifty Shades of Grey,” the movie’s media campaign fell short of producing an enticing soundtrack.
AMC launched the highly anticipated series “Better Call Saul” this past weekend, in a two-night premiere event.
The year is 1765 and American colonists are growing weary of British oppression — no one more so than the charismatic Samuel Adams (Ben Barnes). Adams incurs the wrath of the British for failing to pay his taxes and unwittingly encouraging the townspeople to destroy the governor’s house.
Title Fight’s “Hyperview” is a dizzying, dark reflection on a menagerie of obscurity.
