The Millers Arts Scholars presented their impressive and diverse projects Sunday evening in Culbreth Theater.
In "Arizona Baby," listeners find themselves situated right into the American South, which is at the root of Kevin Abstract’s identity.
If the plot sounds difficult to keep track of, don’t worry — keeping track isn’t really the point.
Mem Gym allowed for an intimate feel throughout the entire concert, which was quite well-aligned with the inviting mood of Caesar’s music.
In an era defined by religious influence in popular music — from “Ultralight Beam” to “God’s Country” — the message of “Amazing Grace” resonates.
Not every band playing on Saturday was great, but every band undoubtedly played their heart out and made Rockn’ to Lockn’ extraordinary.
Having the work be so public is something all involved hope will help rewrite the perception that the University is not a leader in sustainability.
The outstanding feature of the U.Va. Drama production — which began its run at Culbreth Theatre April 18 — was the ability of the ensemble cast to express the eccentricities of their respective characters.
Coachella is a concentrated example of society’s current values and our diminished attachment to the music we consume.
The only criticism that this album could justifiably receive is that it’s pretty plainly a radio darling.
On the heavy yet playful 9-song LP, Drugdealer capture sounds from previous eras with unique instrumentation and vocals.
It is refreshing to see Lizzo break convention and tackle so many genres in her debut album. Nonetheless, she falls short in her efforts.
“Ramy” is still a comedy despite all the work it does to confront societal issues.
If there exists a single person who questions the work ethic or celebrity of Beyoncé, let “Homecoming” be the answer.
One of the greatest strengths of the Black Monologues — and the aspect that makes it most difficult to write about — is that every speech, every cast member deserves praise.
A testament to the earnest charm and musical talent of the band, an unorthodox concert format at The Jefferson subverted and transcended what would have been traditional show.
At the beginning of her presentation, Flewellen called her work an “ode to the maternal lives of my mothers.”
While the pair succeeded in proving their improv ability in the zaniest way possible, the real highlight of the show was learning about unsung comic minds living right here in Charlottesville.
There’s no disappointment that accompanies “Ventura.” There’s just an undeniable longing for so much more.
After dreaming about spring, its colors and the vibrancy April promises, I wondered, what will spring look like this year at the University?
