“The Elephant in the Room” is meant to make you laugh, cry and leave having learned something important.
2019’s New Works Festival is a diverse showing, but the pieces all maintain a theme of youth and present dialogue which feels modern.
The band was great, but for as great as they could’ve been, the sold-out Charlottesville crowd was cheated.
Montiel is confident and has found success despite the historical preferences for male professionals. “Now is a very good moment for Latin American women,” she said.
The event was characterized by the youth with a sense of their power in the room.
This spirit of family and healing seem intertwined with every aspect of Hope's art.
“So much of photography is serendipity,” Wylie reminded the crowd.
“DNA” is a multifaceted evolution of the Backstreet Boys, incorporating their beloved sound from the '90s with audacious strides into various genres.
It’s startling and anything but boring, but is it lovely? Is Van Etten’s drastic shift in style merited?
A strong, smart, Hispanic role model is both desirable and necessary to see in our modern media, especially with the current political climate.
Netflix’s “Fyre” and Hulu’s “Fyre Fraud,” which were both released last week, dig into a staggering network of fraud and deception with Billy McFarland as the sociopathic, incompetent con artist at the center of it all.
Unlike previous work, “Disappeared” is an album less concerned with personal events and more with the world and Cox’s contemplations with humanity at large.
“Outer Peace” encompasses a range of genres and sonic pleasures which differ just enough to be intoxicatingly complementary.
The album is the kind that you would listen to while driving quickly down a dark road, or cutting your hair in a fit of self-discovery.
Brown led a team of undergraduate students in a nationally held contest to design an environmentally sustainable, community-oriented train station.
“Assume Form” demonstrates Blake at his most genuine and his most vulnerable.
“Listen,” Leslie Odom Jr. addressed the crowd. “Healing can’t even begin until you acknowledge where you’ve come from.”
The 1975's most recent album is likely to be lost in the overwhelming flow of experimental instrumentation but prevails as unique in its influence from a range of opposing genres.
Leslie Jamison's memoir "The Recovering: Intoxication and Its Aftermath" is split between a gripping portrait of alcoholism and an analysis of addiction itself.
"Some Rap Songs," the latest LP from Earl Sweatshirt, shows the rap prodigy venturing to the furthest corners of the genre, creating an experimental, impactful album.
