'Hostiles' can’t act on its own inclusive message
By Darby Delaney | November 14, 2017With all its faults, “Hostiles” remains a spectacle to be seen. The Old West has never looked so glorious.
With all its faults, “Hostiles” remains a spectacle to be seen. The Old West has never looked so glorious.
“The Thrill Of It All” is Smith's latest album since his first record back in 2014.
“Ragnarok” is a standalone movie in a bloated franchise of 17 films over nearly 10 years.
"Pacific Daydream" is a lackluster successor to the once great Weezer.
“ken” continues to prove that Dan Bejar is one of the most talented musicians of our time.
The Virginia based reggae bunch turned the Jefferson Theater into a proud community as promised. Proud of where they’re from, proud of who they listen to and proud of who they are.
Scenes from "Happy Death Day" are tense enough for genuine horror-lovers, albeit campy enough to imagine finding them on the Disney Channel.
SOJA will perform at the Jefferson Theater in Charlottesville Oct. 21.
Though only in existence for the past three years, the Black Monologues have already staked their claim as one of the most well-known, anticipated and, most of all, necessary theatrical performances.
Kaur’s poetry doesn’t meet any standard to which poetry is traditionally held.
While calling “The OOZ” a “breakup album” may be a superficially correct statement, the term ultimately fails to do justice to the work’s multilayered imagery woven throughout.
In the end, "MASSEDUCTION" may be a pivot away from what St. Vincent does best, but it was also a pivot in a direction ultimately resulting in Clark’s pop masterpiece.
Kurt Vile and Courtney Barnett, two of indie music’s up-and-comers, have combined their respective talents to put together “Lotta Sea Lice.”
“Jane the Virgin” returned for its fourth season Friday, finding Jane — as per usual — the focal point of several colliding narratives.
Comedy, drunkenness, chaos, family drama and triumph encapsulates the story of the Replacements.
Created by Charlottesville artist and musician Ramona Martinez, the "Visions of Mary" exhibit was a collection of iconography that seeks to serve as “an invitation for every visitor, regardless of faith, to sit with the love of the Virgin Mary.”
When Buteau appeared onstage in her yellow floral jumpsuit and Reebok sneakers, it felt like the audience was preparing for a wild ride, which she certainly delivered.
Cultural dance teams have grounded themselves at the University because they meet students at the intersection between community and cultural exploration.
Since March 4th, the local theater group Live Arts has been celebrating the exciting, complex and uplifting world of drag performance through their beautiful — and far from orthodox — production of “The Legend of Georgia McBride” by Matthew Lopez.
Favier’s “Slalom” recounts the story of fifteen-year-old aspiring Olympic skier Lyz Lopez (Noée Abita) and the emotional turmoil she experiences when she is raped by the person she trusts most — her coach Fred (Jérémy Renier).