“This Is Us” normally hits its groove in deep, emotional moments, but these are sorely lacking in the final episode.
Spoon finds themselves once again standing outside confinements of any genre — and also outside any semblance of widespread fame and recognition.
The Cavalier Daily spoke to New York Times bestselling author Christina Baker Kline in advance of her visit as honored guest during the Virginia Festival of the Book.
“Breath of the Wild” transcends set rules in favor of true adventure for the player.
“Trial & Error” — NBC's latest comedy — premiered March 14, and its deadpan mockumentary style and familiar sense of humor successfully echo past NBC hits.
Frank Ocean premiered the single “Chanel” on his monthly Beats 1 radio show March 10.
Sometimes subtlety is the enemy of success. If the trailer is any indication, the Edgar Ramirez-directed (“Shaun of the Dead” and hipster favorite “Scott Pilgrim vs.
“Heartworms” retains all the necessary elements for a good Shins album — wordy lyrics, emotional disenfranchisement, creative uses of backup vocals and a colorful mixture of synthetic and acoustic textures.
Lacking age and experience, Khalid exhibits the joy of black youth so rarely seen or even acknowledged in the highly politicized landscape of black art.
For a comedy revolving around the repulsive acts of five raging narcissists, it is surprising that “It’s Always Sunny in Philadelphia” has prospered on air for 12 seasons.
Behind every great sports victory, there’s a great song. In the spirit of March Madness, Arts and Entertainment staffers picked their favorite warm-up songs.
Here are five of the most notable, well-made or otherwise memorable basketball movies.
“Logan” thrives on its complex characters and fuzzy morality lurking in the shadows of every scene.
In a world where unenthusiastic performances are far too common, Colony House’s “Only the Lonely” show was a refreshing reminder of what passion for music should feel like.
Of all the colorful, acid-fueled psychedelic rock acts out there, there are few with such astute production that stand out from the competition.
The faces at Miranda Lambert’s show at John Paul Jones Arena were not the usual ones seen at a Charlottesville music venue.
“Get Out” is a much-needed mainstream subversion of established, racially-charged cinematic tropes.
Welcome to the first official Cavalier Daily podcast. The Arts & Entertainment section is officially launching “The Pitch List,” a bi-weekly podcast talking all things pop culture.
Moon Hooch is often regarded as a spearhead of the “nu jazz” movement, which sustains excitement through the blending of other genres.
The Drama Department’s handling of “Blood Wedding” was masterful — true to the source material while branching out in alternately hilarious and horrifying directions.
