Shame's first release, “Songs of Praise,” immediately sets 2018 off on a good start as an album consisting of 38 minutes filled with ranging emotions and innovation.
Long viewed as a promising up-and-coming beatmaker, the relentless Metro continued Boomin and during 2017 finally established himself as one of the premier producers not only in the world of hip-hop, but across the music industry.
"Black Mirror" returned to Netflix for a fourth season, bringing along six new episodes.
Chris Stapleton recently released his third record, “From a Room: Volume 2,” and it serves as another reminder as to why he is — and very well should be — the new face of country music.
Unfortunately, Sia's rushed writing process and lack of originality shine through on "Everyday is Christmas."
As the year comes to an end, it is time to reflect on some of the most engaging TV of 2017.
G-Eazy's work in showing emotional depth and authenticity for such a wide commercial audience remains largely untested.
“Justice League” is simply an insubstantial film, and what it does have still isn’t very good.
“Wild Honey” instead becomes a romantic comedy which should not work but does. The incongruity of the characters — not only within their own lives but with each other — is a fun and light spin on the boy-meets-girl drama.
Unfortunately, “Murder On the Orient Express” sounds more fun than it is.
Hippo Campus put on an unsatisfyingly static and half-hearted performance, and for much of this the crowd is to blame.
Mr Porter has been in the business of developing a brand centered around a stylish, detail-oriented, yet understated style for over half a decade now.
"Downsizing” has a lot of good ideas crammed into its two hour and 15 minute runtime, but it can never expand on or complete any of them.
With all its faults, “Hostiles” remains a spectacle to be seen. The Old West has never looked so glorious.
“The Thrill Of It All” is Smith's latest album since his first record back in 2014.
“Ragnarok” is a standalone movie in a bloated franchise of 17 films over nearly 10 years.
"Pacific Daydream" is a lackluster successor to the once great Weezer.
“ken” continues to prove that Dan Bejar is one of the most talented musicians of our time.
The Virginia based reggae bunch turned the Jefferson Theater into a proud community as promised. Proud of where they’re from, proud of who they listen to and proud of who they are.
Scenes from "Happy Death Day" are tense enough for genuine horror-lovers, albeit campy enough to imagine finding them on the Disney Channel.
