At the beginning of her presentation, Flewellen called her work an “ode to the maternal lives of my mothers.”
While the pair succeeded in proving their improv ability in the zaniest way possible, the real highlight of the show was learning about unsung comic minds living right here in Charlottesville.
Marsh said making music in Charlottesville is “a very personal experience.… There’s a feeling to every place."
The listener’s point of view does matter. Clair herself is a constant listener, and it’s evident in her music.
“You know, a community radio station doesn't get very far without a community.”
At the crux of the conversation that carried into the night was the authors’ craft — and its relationship to their own stories.
The discussion opened with a simple question — what is LGBTQI fiction?
“The Power of Graphic Novels” was an event that showed that graphic novels are the perfect gateway to attaining visual literacy.
This documentary does little to explain and challenge Dalí's ego, aside from its provocative title.
This program was an example of the impact that fiction — and art more generally — can have on the way we perceive real-world issues.
“The Public,” which Estevez wrote, produced, directed and starred in, received a special screening Friday, March 22, at the Paramount Theater.
The British bluegrass quartet stopped by Charlottesville on their “Delta” tour to spread some friendly vibes at John Paul Jones Arena.
The Holsinger Photo Project event will display Holsinger's portraits while gathering descendants of the pictures’ subjects to reveal new stories about their family history and experience.
The greatest strength of “Encompassing Multitudes” is that it recognizes and knows to capitalize on Whitman’s continued timeliness.
Fourth-year College and Curry student Emily Schmid hosted a workshop to facilitate difficult conversations on social change.
The truly remarkable and impressive thing about “Celebrating Creativity” is the way that these pieces interact with each other and empower each other’s messages.
Famed for re-examining representation and legacies in history through his work, Kaphar is known to “torture” paintings and sculptures in a process of reconfiguration and interrogation of historical narratives.
“It’s not led by men,” a participant said. “So there’ll be no mansplaining involved.”
A queer woman of color herself, Vanessa German’s identity and personal experiences are woven into this exhibit, which feels at once very intimate and quite vast in its reach.
What the three men lack in flare, they make up for in talent.
