“Into the Spider-Verse” carefully curated Miles’s 2D comic book world, but “Across the Spider-Verse” introduces a greater variety of animation.
The highly anticipated return of Freeform’s “Cruel Summer” is right around the corner, and it is packed with as much thrilling drama and suspenseful mystery as season one. Ahead of its June 5 premiere, the main trio of the anthology series’ second season sat down with The Cavalier Daily last month to talk transforming into Y2K teenagers, and the escapades of the first seven episodes.
Revelations, incidents, and complications have become so expected by the show’s fans that the most shocking thing “Succession” could do is have no twist at all. This is exactly what the show does in its much-anticipated fourth and final season, paradoxically keeping the show fresh by flipping the script to become more predictable than usual.
“Master Gardener,” the latest study of tortured masculinity from writer-director Paul Schrader, opens on a shot of Narvel Roth, the film’s protagonist, nocturnally scribbling his thoughts inside of a diary. For those well-versed in the legendary filmmaker’s body of work, this is a strikingly familiar image.
The film is admirably so open and blunt about the struggles of girlhood and growing up.
From beginning to end, the movie’s plotting remains boldly abstract — filtering the protagonist’s growing isolation through a medley of surreal horror imagery — as well as tantalizing visions of both her past and potential future.
For all 111 rousing minutes of the Affleck film’s running time, “Air” proves remarkably gifted at making you believe.
In a day filled with music, food, art and theatre, OYFA students delivered a cultural exhibition that encompassed the spirit of community that the club embodies.
Though the film industry today is dominated by blockbusters and Disney franchises, OFFScreen — a student-run organization at the University — aims to connect the student body with lesser-seen films.
Even if "Inside" struggles to be much more than a well-crafted showcase for the formidable talents of its lead actor, that is more than enough for a satisfying piece of genre entertainment.
Just weeks ago, Netflix announced that within the first quarter of 2023, they would be implementing new policies to prevent the sharing of passwords among people who do not live in the same household.
As with any great movie year, the cream of 2022’s crop are incredibly varied in tone and genre.
Season four is another brilliantly crafted chapter of Joe’s twisted tale, allowing its producers to swiftly critique the world’s bleak future and hopeless evil.
The long-awaited third season of "Outer Banks" is finally here, and it's just as action-packed and scenic as the last two.
The program features six plays directed by students as part of an advanced directing course in the drama department.
Review of recent film, "Infinity Pool," by director Brandon Cronenberg, outlining the film's strengths and weaknesses.
This group of ten films — both grand and small, both fun and serious — capture the essence of what the film industry of today aims to do with its work.
The Virginia Film Festival held a screening this Saturday for “Women Talking” at The Paramount Theater ahead of its December release.
“The Hole in the Fence” has a lot to say about modern Mexican society, but del Paso’s lack of focus and clumsy execution adds so many excessive plot points and underdeveloped messages that he undermines his central message criticizing Mexico’s socioeconomic inequality and prejudice.
“Triangle of Sadness” — written and directed by Swedish filmmaker Ruben Östlund — uniquely and bitingly tackles social roles on a luxury yacht filled with the ultra-wealthy.
