Also known as virtual influencers, these pseudo-human moguls are fascinating technological creations taking over social media marketing.
Purveyors of the store can usually find Collinge in the store rearranging books, giving a book recommendation and, if he’s not wearing a mask, offering a welcoming smile.
Wilde delivers a redundant social statement through an incoherent plot, rarely delving deeper than Victory’s shiny surface.
One central focus of the panel was the fact that “Raymond and Ray” was shot almost entirely on-location in and around Richmond.
Sawayama takes a lot of risks on this project, with some paying off and others failing.
West’s fantastical, period-specific stylization and Goth’s tour-de-force performance have crystallized “Pearl” as a memorable horror villain for the ages, which — in a way — gives Pearl herself the immortality she always dreamed of.
Local organizations came together to support queer art and the Charlottesville community at large, providing a space for a diverse crowd of LGBTQ+ people and allies to celebrate their identities.
No matter the interest or skill level, the Robertson Media Center has the tools to transform creative dreams into reality with its plethora of creative technology at no cost.
Maroney’s authentic songwriting, raspy voice, and ringing guitar make for a very specific sound, attracting audience members from all around the state.
With its gems and disappointments, the most promising part of “Honestly, Nevermind” is what it represents for Drake’s sound going forward.
In addition to the autobiographical influence of Dalal’s own experience as an Indian-American engineer, the author made the decision to set the story on the University’s campus, making it an official on-Grounds ghost story.
Based on the series premiere, it seems like “Rings of Power” will neither be a testament nor a detriment to Tolkien’s legacy, but instead a forgettable addition to the series as a whole.
Their fifth album sees the trio continue to redefine and experiment with their sound, filled with thrills that are electrifying but cheap and lackluster in anything that sticks
In the basement of the Academical Village People house — “The Bog” — University band Indecisive performed the songs of their new album “Over King’s Creek,” which was released on Spotify the next morning, September 3rd.
On Sept. 9th at The Paramount Theater in Charlottesville, the Youth Film Festival will be showcasing multiple finished projects from young filmmakers in the Charlottesville area.
To the dismay of audiences and creatives alike, Warner Bros. Discovery has been unafraid to throw films and shows away without much warning.
With another round of auditions in the books, one thing is certain — the a cappella scene at U.Va. is thriving, and the groups hope the new members they choose will continue their tradition of excellence in both music and camaraderie.
As they relax on the Lawn on a particularly sunny day in Charlottesville, three members of the University band Backseat Driver do a deep-dive into their musical influences, their songwriting process and their past gigs.
The creative fusion on Girls’ Generation’s project is just a microcosm of a broadly exciting era for K-pop, which is experiencing a sea of change in levels of globalization, experimentation and female empowerment.
Students gathered on the lawn to see the University’s many vocal performance groups at Wednesday’s Rotunda Sing, hosted annually by the University Programs Council.
