Netflix’s “Fyre” and Hulu’s “Fyre Fraud,” which were both released last week, dig into a staggering network of fraud and deception with Billy McFarland as the sociopathic, incompetent con artist at the center of it all.
Unlike previous work, “Disappeared” is an album less concerned with personal events and more with the world and Cox’s contemplations with humanity at large.
“Outer Peace” encompasses a range of genres and sonic pleasures which differ just enough to be intoxicatingly complementary.
The album is the kind that you would listen to while driving quickly down a dark road, or cutting your hair in a fit of self-discovery.
Brown led a team of undergraduate students in a nationally held contest to design an environmentally sustainable, community-oriented train station.
“Assume Form” demonstrates Blake at his most genuine and his most vulnerable.
“Listen,” Leslie Odom Jr. addressed the crowd. “Healing can’t even begin until you acknowledge where you’ve come from.”
The 1975's most recent album is likely to be lost in the overwhelming flow of experimental instrumentation but prevails as unique in its influence from a range of opposing genres.
Leslie Jamison's memoir "The Recovering: Intoxication and Its Aftermath" is split between a gripping portrait of alcoholism and an analysis of addiction itself.
"Some Rap Songs," the latest LP from Earl Sweatshirt, shows the rap prodigy venturing to the furthest corners of the genre, creating an experimental, impactful album.
Ghostface Killah's latest release is "Ghost Files," a remix of his 2018 work "The Lost Tapes."
“Mary Queen of Scots” was able to look past the labels given by history and create a more nuanced representation of the lives of two immensely powerful queens.
Although “The Grinch” is sure to delight modern youth, it wastes acclaimed actors in a paltry rendition of a holiday classic.
Soraya Chemaly visited New Dominion Bookshop Dec. 5 to discuss her new book "Rage Becomes Her: The Power of Women's Anger."
6ix9ine’s shortcomings as an artist are brought to the surface all throughout “DUMMY BOY.”
To wrap up the semester and the calendar year, Forgotten Films columnist Mark Felice presents his picks for the 2018 movies that should be forgotten and those that deserve remembering.
“Creed II” is much less hesitant than the first “Creed” to directly lift classic Rocky musical motifs.
"I Am Not A Witch" is an engaging, well-directed film which is appealing even without considering the deeper themes lurking in its subtext.
In “If Beale Street Could Talk,” Jenkins honors the traditions of Baldwin in purest form, putting ugly truth on screen with pure beauty and celebrating the resilience of empathy and love.
Steve McQueen's heist thriller "Widows" shows a gripping tale of four women, led by the excellent Viola Davis, falling into a life of crime due circumstances beyond their control.
