Unfortunately, “Murder On the Orient Express” sounds more fun than it is.
Hippo Campus put on an unsatisfyingly static and half-hearted performance, and for much of this the crowd is to blame.
Mr Porter has been in the business of developing a brand centered around a stylish, detail-oriented, yet understated style for over half a decade now.
"Downsizing” has a lot of good ideas crammed into its two hour and 15 minute runtime, but it can never expand on or complete any of them.
With all its faults, “Hostiles” remains a spectacle to be seen. The Old West has never looked so glorious.
“The Thrill Of It All” is Smith's latest album since his first record back in 2014.
“Ragnarok” is a standalone movie in a bloated franchise of 17 films over nearly 10 years.
"Pacific Daydream" is a lackluster successor to the once great Weezer.
“ken” continues to prove that Dan Bejar is one of the most talented musicians of our time.
The Virginia based reggae bunch turned the Jefferson Theater into a proud community as promised. Proud of where they’re from, proud of who they listen to and proud of who they are.
Scenes from "Happy Death Day" are tense enough for genuine horror-lovers, albeit campy enough to imagine finding them on the Disney Channel.
SOJA will perform at the Jefferson Theater in Charlottesville Oct. 21.
Though only in existence for the past three years, the Black Monologues have already staked their claim as one of the most well-known, anticipated and, most of all, necessary theatrical performances.
Kaur’s poetry doesn’t meet any standard to which poetry is traditionally held.
While calling “The OOZ” a “breakup album” may be a superficially correct statement, the term ultimately fails to do justice to the work’s multilayered imagery woven throughout.
In the end, "MASSEDUCTION" may be a pivot away from what St. Vincent does best, but it was also a pivot in a direction ultimately resulting in Clark’s pop masterpiece.
Kurt Vile and Courtney Barnett, two of indie music’s up-and-comers, have combined their respective talents to put together “Lotta Sea Lice.”
“Jane the Virgin” returned for its fourth season Friday, finding Jane — as per usual — the focal point of several colliding narratives.
Comedy, drunkenness, chaos, family drama and triumph encapsulates the story of the Replacements.
Created by Charlottesville artist and musician Ramona Martinez, the "Visions of Mary" exhibit was a collection of iconography that seeks to serve as “an invitation for every visitor, regardless of faith, to sit with the love of the Virgin Mary.”
