Often overlooked in the world of television are the dramatic strides made in what was once considered a less dramatic arena — the kitchen.
While Goldfrapp’s latest album, “Silver Eye,” is neither straightforward nor consistently exciting, it harkens back to the sultry, experimental sounds the duo pioneered in the early 2000s.
About a week after releasing the single “The Heart Part 4,” Kendrick Lamar has returned with a new release, “HUMBLE.”
Oh Wonder’s sound in its self-titled debut record was simple, clean and safe. Lately, though, the duo has stepped up its game.
Last Friday, producer and artist-in-residence 9th Wonder gave a lecture in the Rotunda titled “The History of Hip-Hop.”
Netflix released its new drama “13 Reasons Why” March 31, and the series offers a raw, addicting view of the darker aspects of high school life.
“Crawl Space” is an impressive evolution in the genre of Tei Shi’s self-descriptive “mermaid music."
Logic’s newest single offers a glimpse into the artist’s upcoming project by the same name.
While his reading did not differ in structure to other poetry readings, the experience of David Kirby was distinct and informative.
Coming back from a seven-year-long absence is no walk in the park for any musical act, especially considering how much has changed within the realm of music.
Three Virginia-based poets convened last Thursday evening for a reading at Christ Episcopal Church as part of the Virginia Film Festival.
Faculty in U.Va.’s Studio Art and Drama departments make significantly less than their colleagues in other fields and schools.
Beyond the leading five characters, “Power Rangers” has little to offer except the same formulaic plot so many other superhero blockbusters have followed to box office success.
“The Great Release” tells the story of a modest office worker named Alex who undergoes an epic journey through his own digestive tract.
Renowned New York Times art critic Holland Cotter spoke at the University March 23 about art within the context of activism, historical canons and his general experiences.
The Charlottesville Symphony performed at Old Cabell Hall under the direction of Cheung Chau last Saturday.
“Life” is not as thought-provoking or well-written as films like “Gravity,” or “Interstellar,” but it is not terrible, either.
In its spoken word singing, jaded storytelling and nearly nonexistent instrumentation, “A Crow Looked At Me” portrays the feelings of grief and life after tragedy with shocking realism.
Stevie Nicks of “Fleetwood Mac” came equipped Saturday night to John Paul Jones Arena.
The University hosted “Women Making History: Who Gets to Write Which Stories?” Thursday, including a panel of female authors.
