The finale of "Crazy Ex-Girlfriend" exceeded all standards by “leaps” and bounds in the show’s strongest showing yet.
“I Decided.,” the most recent release from Big Sean, is another strong project for the Detroit artist and features the likes of Eminem, Jerimih and Migos.
Maybe “Powerless” just hasn’t hit its stride yet — but if it doesn’t improve soon, the show is doomed to become its own kryptonite.
A little more than halfway through its first season, it’s clear HBO’s “The Young Pope” is a striking visual masterpiece. It’s also a terrible television show.
Rapper Milo threw out all the rules at his recent concert in the Chapel on Friday.
The subtle exclamation of “The Sounds and Silences of Black Girlhood” — a mini-exhibit in the Special Collections Library — exists as an undeniable reminder of the inherent resistance black women express from a young age.
If there is any band that has proven its ability to distinguish itself from the current indie rock crowd, it would have to be Cleveland-rock outfit Cloud Nothings.
“Culture” comes together as Migos once again make a series of attempts to stick to their tried and true formula, yet it fails more than succeeds.
“Nothing Feels Natural” is the title of Priests’ first full-length album, but it’s also a statement that could express the current state of the nation.
As with any year, there were a number of surprising entries in the Oscar categories, as well as a fair number of glaring omissions.
Mike Mills’s latest film, “20th Century Women,” takes a compelling snapshot of this cultural metamorphosis while presenting a poignant celebration of femininity.
Nearly every question directed at Díaz involved writing or art, and the author had a lot to say on both topics. “We’re not here to make friends,” he said, referring to the role of writers.
Four and a half years following their critically-acclaimed sophomore album “Celebration Rock,” Japandroids finally returned with “Near to the Wild Heart of Life,” once again proving they are one of the most underappreciated groups in the industry.
“Not Even Happiness,” Julie Byrne’s second album, presents the artist’s sound as a blend of Enya, Bon Iver and Annie Lennox.
Lucas Till deserves credit for leaving it all on the field, and in “Monster Trucks,” he really tries his hardest.
Over the course of a 33-year career, The Flaming Lips have always presented a solid psychedelic rock sound.
Twice per semester, Arts and Entertainment staffers compile a list of their favorite songs.
Since his 2008 debut “Constant Hitmaker,” Kurt Vile has showcased his singular style through a string of stunningly rich and cohesive albums.
“This show will wreck your evening, your whole life and your day. Every single episode is nothing but dismay,” Neil Patrick Harris sings in the opening credits of “A Series of Unfortunate Events,” one of the latest original series from Netflix.
On his latest album, Bonobo has refined his personal style of songwriting to its sharpest form yet.
