Almost two years after his last release “Cherry Bomb,” Tyler, the Creator released two new singles.
The Fralin Museum of Art is a gem of variety.
A&E profiles the city’s hottest venues for Charlottesville's phenomenal music scene.
After becoming an overnight success following the debut of their self-titled album in 2014, genre-hopping band Royal Blood caught the attention of the rock world.
Released after many delays, SZA’s debut album, “CTRL,” showcases her honest nature and instinctive talent for singing and songwriting.
The boys of Netflix’s dramedy “Flaked” are a pretty flakey bunch.
Indie rock band Arcade Fire’s new single, “Everything Now,” is a masterful comeback anthem after the band’s four-year hiatus.
“RELAXER” is a diverse album even by alt-J standards.
“Homecoming King” grapples with the same question Minhaj referenced in a recent interview with GQ — “Are we the nativist narrative, or are we the immigrant narrative?”
The new release of “Sgt. Pepper’s” comes with a full tape of fresh stereo mixes of each song as well as a second disc of raw takes and recording-studio speeches.
Summer 2017 promises a diverse range of films for people of all ages and interests, including numerous genres, sequels or remakes of old films.
The third season continues Kimmy’s journey after passing her GED exam, and she immediately sets her sights on the next educational stepping stone — college.
Monday morning, UPC announced Future and Lil Yachty as the 2017 Welcome Week concert performers.
Nathan Colberg, a Charlottesville native, is a fourth year graduating from the Batten program, and music has been a huge part of his life at the University.
“Harry Styles” sounds more intimate than any of One Direction’s slickly produced oeuvre, drawing more from classic rock and enlisting only a sparse backing band to accompany its leading man.
Bittersweet memories are in heavy order for the graduating Class of 2017, and little else reflects the graduating students’ nostalgia as accurately as the music they listened to for the last four years.
Even before the end of the first track, it is obvious that “No Shape” — Perfume Genius' first full-length album since 2014’s star-turning “Too Bright”— is a special record.
No more phasey, reverbed guitar on every track. No more odes to smoking cigarettes. No more spontaneously losing drumsticks. In his newest album, “This Old Dog,” Mac DeMarco takes a step forward by looking backward.
“I’m not sure if we’ve ever been here before, not sure ... But it’s good to be here now,” lead vocalist of Twin Peaks Clay Frankel said, greeting a buzzing audience at The Southern Monday night.
In their latest release, Foster the People reclaims some of the successful sounds they established in 2011 while also incorporating new pop sounds.
