"Song to Song" will be delightfully weird at the very least and a 2018 Oscar contender at best.
Though "La La Land" is lovely and technically dazzling, “Moonlight” deserves to win Best Picture.
“La La Land” is worth the hype. The entirety of the musical seeps with an earnest romanticism that simultaneously conveys both breathless beauty and wistful heartbreak.
Casey Affleck’s acting embodies an Oscar-worthy quality. His performance in “Manchester by the Sea” was achingly human — a tour de force of stifled tears and simmering resentment.
As Mia in this year’s Oscar favorite “La La Land”, Stone showcased her diverse capabilities and should be the winner of the award.
Of all the Best Actress nominees, Portman had the most difficult task — recreating a woman that has become an American legend and household hero.
Troy Maxson (Denzel Washington) fills every corner of the small house in which he and Rose live, just as Washington himself fills every corner of “Fences”.
Alexander tours extensively, discussing both his own work and the ways in which poetry can revitalize education. He will be coming to the Virginia Festival of the Book March 22.
"A Cure for Wellness" will have viewers squirming and wincing in their seats when it’s at its most gruesome and sitting back in awe of its beauty in between.
Kodak Black is no stranger to controversy. After questionably featuring Danielle Bregoli — the 13-year-old “Cash me Ousside” girl from Dr. Phil — in his previous video “Everything 1K,” Black was thrust into the spotlight.
At a two-hour runtime, “The Great Wall” wastes what seems to be the majority of the film to explain plot points and “develop” characters.
In his self-titled album, Future stays the course and solidifies his musical identity.
“Curse that motherf— who would spit upon another's body,” PWR BTTM declared to cheers at The Southern Café and Music Hall Wednesday night.
Like the movie it’s featured in, the “Fifty Shades Darker” soundtrack resembles in many ways a drunk hookup — fun, sloppy and best when it’s not handling serious romantic sentiment.
“The Young Pope” never “jumped the shark” — it was on the far side of the shark from the very first scene.
With student elections fast approaching, the Arts and Entertainment section asks the candidates some hard-hitting questions — about movies and first dates.
John Oliver resumed his role as host of HBO’s “Last Week Tonight” in its season four premiere last Sunday.
The Grammys are outdated. It’s been said, but after last Sunday, it needs to be said again — and more emphatically than ever.
"DROGAS Light" will undoubtedly be quickly forgotten in the sea of mediocre modern pop-rap.
The McIntire Department of Art often presents guest lecturers, but hosting renowned art critic and historian Tyler Green on Feb. 7 was a unique opportunity.
