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Michael Campbell


Stylistic film brings high 'Volume' of gore

I emerged from my opening night screening of "Kill Bill" in complete and utter shock. I was struggling to find the words to describe this blood-soaked mess of a revenge movie, and then they started coming to me in droves: "exhilarating," "stunning," "oddly beautiful" and, above all, "absolutely brilliant." Quentin Tarantino, the eccentric auteur that brought us the new-classic "Pulp Fiction" almost 10 years ago, finally has affirmed what many have thought but none could prove: That he is a tremendous directorial talent.

'Anything' is everything Woody Allen

Woody Allen is back in theaters this week with his annual cinematic contribution, this year titled "Anything Else." Interestingly, this has been the problem with most of Allen's recent work: It has been just like anything else you would see at the theaters, not like his trademark quirky brilliance of the 1970s, 1980s and early-1990s.

Ferrell 'Schools' slapstick humor

I have seen "Old School," and it is us. From every fiber of its plot to every part of our collective Rugby Road-going soul, "Old School" calls out to us, drawing us in to its web of frat debauchery.

'How to Lose' eight dollars in two long hours

Why, Kate Hudson? Why? Why in God's name would you subject yourself to being in a movie so trivial, so predictable and so stupid that they should have been forthright and simply titled it "How To Lose Eight Bucks in Two Hours?" Kate Hudson is a great actress.

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