By being so emphatically British in its contrast and blending of sadness and crude comedy, Gervais’ latest creation manages to avoid being purely saccharine or overly cynical.
“Shadow” is a great showing of talent on the part of the South African television industry. But without smart writing and competent editing, it’s little more than a mediocre action novelty.
Why is Larson facing such a vitriolic online reception? Put simply, she’s a woman with strong opinions.
The Holsinger Photo Project event will display Holsinger's portraits while gathering descendants of the pictures’ subjects to reveal new stories about their family history and experience.
“Leaving Neverland” should not be shocking. The fact that it is indicates a culture that never truly listened to past accusers.
The greatest strength of “Encompassing Multitudes” is that it recognizes and knows to capitalize on Whitman’s continued timeliness.
Fourth-year College and Curry student Emily Schmid hosted a workshop to facilitate difficult conversations on social change.
The truly remarkable and impressive thing about “Celebrating Creativity” is the way that these pieces interact with each other and empower each other’s messages.
The "Black Album" is an unsuccessful attempt by older men to relate to the younger generations.
Despite seasons filled with gag-worthy looks, lip sync battles and juicy drama, the show needs some tweaking to prevent itself from becoming predictable.
Despite there being plenty of interesting lyrical content, much of “Tasmania’s” appeal comes from its extravagant instrumentation.
“Wasteland, Baby!” explores a larger extent of Hozier's musical range, relying less on the dark tones which so characterized his earlier work.
The audience is reacquainted with the same sense of pure fun from the “Burning Up” era — but this time with an adult twist.
Famed for re-examining representation and legacies in history through his work, Kaphar is known to “torture” paintings and sculptures in a process of reconfiguration and interrogation of historical narratives.
The celebrities honored at these events put in almost as much work choosing their outfits as in portraying the characters that got them nominated.
“It’s not led by men,” a participant said. “So there’ll be no mansplaining involved.”
Despite its exhaustive run-time, the Academy is still not hitting all of the marks when it comes to the categories they reward.
A queer woman of color herself, Vanessa German’s identity and personal experiences are woven into this exhibit, which feels at once very intimate and quite vast in its reach.
"Harverd Dropout" does not prove to have been worth the wait, at least for those who seek out rap music that is interesting to listen to.
What the three men lack in flare, they make up for in talent.
