The DCEU was originally envisioned as a darker counterpoint to the light-hearted Marvel films.
There are few musicians in the modern hip-hop scene who even come close to matching the prolific consistency and sheer output of Gucci Mane.
“Beautiful Trauma” employs resistance in a vastly different way than her other albums, however. In this album, the personal and political planes collide.
Despite the complexity and abstraction of the arrangements, this is Beck’s first album that can simply be classified as “pop” in the modern sense.
FLUX, while a contracted independent organization at the University, is as much a community as it an organization.
Although “The Foreigner” is backdropped against contemporary politics, the film is not a work of political commentary.
Baker is a queer Southerner in the Trump era — an identity in need of visibility today more than ever.
“Blade Runner 2049” is an unquestionably stunning film, but one wishes it was a little more human.
The celebration featured speeches and musical and artistic performances.
Interview with Goo Goo Dolls founders John Rzeznik and Robby Takac showed how clearly Charlottesville represents a larger trend of political uncertainty plaguing the country.
The new series needs to address its glaring flaws if it ever wants to hit the mainstream like its predecessors.
Although Cyrus is no longer Hannah Montana, she is also no longer the try-hard rebel she formerly so desperately wanted to be.
Not every comic book property needs computer-generated special effects. “Inhumans” goes in the opposite direction.
Sheldon’s old tricks are not the same in a new setting.
Friday, Oct. 6 marks the 200th anniversary of the laying of the University’s cornerstone, and with this anniversary comes an abundance of special performers and speakers.
In an interview with Arts and Entertainment, soon-to-be visiting graphic novelist Gareth Hinds discussed the inspiration behind "POE: Stories and Poems."
Ben Haggerty — more commonly known by his stage name Macklemore — rose to fame overnight with the 2012 release of “Thrift Shop,” a silly earworm chronicling the benefits of buying an entire wardrobe from a secondhand store.
Ask anyone to name a song by The Killers and they’ll tell you “Mr. Brightside,” “Somebody Told Me” or “When You Were Young.”
There is a distinct level of irony in the fact that a democratic state is, to some extent, suppressing the publicity of a show which paints censorship as a dangerous and divisive political tactic.
The songs from Hiss Golden Messenger, while lyrically soulful and instrumentally pleasing, all seem to blend together within the studio records.
