“The Act” doesn’t carry the same storytelling heft as some of its true-crime counterparts.
Though less overwhelmingly sappy than many biographical films, “Tolkien” still catered more to moments of grandeur than to gradual change and growth.
The show managed to find the perfect middle ground for discussing social issues and delivering punchlines without making viewers feel like they are watching an after-school special.
One of the world’s biggest franchises comes to the big screen, and a total newbie reviews it.
In an era defined by religious influence in popular music — from “Ultralight Beam” to “God’s Country” — the message of “Amazing Grace” resonates.
“Ramy” is still a comedy despite all the work it does to confront societal issues.
If there exists a single person who questions the work ethic or celebrity of Beyoncé, let “Homecoming” be the answer.
No moments in history — even ones that were scripted — could compare to Monday night’s joy.
The film’s flaws are many in number but shallow in depth, easy to ignore behind a layer of appealing characters, pleasant comedy and effective story.
Season two of “Barry” does not look to recapture lightning in a bottle the way season one did, but it does appear set to repeat that successful formula.
Though the general outline may seem to follow tropes of the genre, the twists and turns carefully woven into the story make this film anything but typical.
This documentary does little to explain and challenge Dalí's ego, aside from its provocative title.
Once-popular Fox show suffers dip in ratings.
A more apt title for the collection might be "Sex, Gore and Body-Horror."
“Queer Eye” has the potential to become an ideal program to spread messages and positivity in the current political and social climate.
The docuseries — which released its first episode on Mar. 10 — further contextualizes the landscape of a case that has captivated followers for years.
By being so emphatically British in its contrast and blending of sadness and crude comedy, Gervais’ latest creation manages to avoid being purely saccharine or overly cynical.
“Shadow” is a great showing of talent on the part of the South African television industry. But without smart writing and competent editing, it’s little more than a mediocre action novelty.
Why is Larson facing such a vitriolic online reception? Put simply, she’s a woman with strong opinions.
“Leaving Neverland” should not be shocking. The fact that it is indicates a culture that never truly listened to past accusers.
