She got her start on MySpace, had the chance to tour with the likes of John Mayer and became a series regular on the hit teenage drama “One Tree Hill.” Edgy yet sweet, with a signature alternative-pop sound, Kate Voegele has a diverse and dedicated fanbase.
Hugo Gruzman and James Lyell, an electronic duo from Sydney, teamed up this year to create their first LP as Flight Facilities, "Down To Earth," which combines old tracks with new material for a delicious listening experience. The pair is known for their perfectionist attitude — most singles are created and refined for at least 11 months before release.
“Nightcrawler” presents a new definition of citizen journalism. The film pushes its cast and audience to consider the flaws in the media, exposing corruption and the devastating truth that the thirst for money may drive a man to drastic measures. Louis Bloom (Jake Gyllenhaal) is a nightcrawler.
Following the release of ambitious last album "VA," Virginia natives The Last Bison will bring their uniquely, folksy sound to The Southern Cafe & Music Hall Friday, Nov.
Alabamian seven-piece soul band St. Paul and the Broken Bones played for a sold-out crowd at the Jefferson Theater Thursday night.
In anticipation of Run the Jewels’ appearance at The Jefferson Theater this Sunday, Arts & Entertainment sat down with American hip-hop duo Killer Mike and EI-P to discuss the musicians’ latest project and their upcoming performance.
“Once Gone,” a collaboration between choreographer Abigail Levine and composer Erik Deluca, was featured at the Open Grounds Corner study Friday.
SPOILER ALERT: The following review contains spoilers. Newly-released war film“Fury” depicts a World War II tank crew fighting in Europe during the final days of the war.
Donald Glover is a true polymath. From his “humble” beginnings as a writer for “30 Rock” to his 2013 release of the dynamic album “Because the Internet,” Glover has worked not to bridge gaps, but rather to engineer smooth jumps between disparate worlds.
Born out of the creative genius of David Caspe ? of "Happy Endings" fame ? NBC’s new comedy “Marry Me" premiered Oct.
At 9 p.m. Friday, the lights in Ern Commons dimmed and the loud chatter became a hush as the culminating event of Black Culture Week was set to begin.
Fresh off the release of their fourth full-length album, piano-pop outfit Jukebox the Ghost will return to The Southern next month, playing a show centered around the upbeat, self-titled project vocalist and guitarist Tommy Siegel calls a “re-examination” of the group’s traditional and creative processes. About half of the album is intensely positive and bubbly.
Charlottesville singer-songwriter Peyton Tochterman returned to The Southern Oct. 25 with his band, Man on a Horse, after his stint as an American cultural ambassador to Afghanistan.
"Ouija" is an old dog that, apparently, could not be taught new tricks. Stiles White's horror flick based on the classic sleepover ritual manages fright after fright, but only because the film is upheld almost entirely by uncomfortably familiar pop-outs and surprises.
Mark Lanegan’s solo career has been consistent in quality, but marked by stylistic evolution.
We Were Promised Jetpacks is an indie outfit known for blending electronic and synth elements into a harder rock sound.
With Halloween on the way, the pull to see a good thriller is stronger than ever. The recently released “Dracula Untold” promised a new twist on the classic horror tale, but delivers a mixed bag.Some elements of the film were original and quite enjoyable.
West Coast music producer Steven Ellison, better known as Flying Lotus, merges jazz, electronic and hip-hop to create one of the most unique sounds in the intelligent dance music world.
Spectrum Theatre is making waves in the University's theatrical community. This fall, Spectrum has chosen to produce a minimalist, modest play titled “Closer” by Patrick Marber.Described by its director as a show about “portraying sex in our modern world,” Spectrum’s production quietly seethes and churns with intense raw performances and a graphic, sexually explicit script.
Ben Rector is not the first artist to sell out The Jefferson Theater. He’s not the first to croon blood-pumping lyrics exciting a crowd of college students.
