On Thursday, Ritter debuted "Thunderbolt's Goodnight," the second of two singles building up to the release of his ninth studio album "Gathering."
Summer 2017 has proven to be a great time for music, but it looks like the fall may top it.
As Asst. Prof. of Hip-Hop and the Global South, Carson’s classes will be more like ciphers — informal rap sessions that give students the opportunity to freestyle and write original raps.
Westeros is not a world in which you’d think anyone would willingly choose to live. And yet every Sunday at 9 p.m., millions of watchers do.
“who told you to think??!!?!?!?!” is in many respects a continuation of milo’s previous artistic form on previous LP, “So The Flies Don’t Come."
Tennis vocalist Alaina Moore talks musical matrimony, creative roots
Why does it seem that many of music’s leading ladies cannot adapt to today’s electronic craze?
"13" is packed with some of Curry’s most high-energy, explosive deliveries yet — but don’t tell that to Curry.
“Lust for Life” ultimately manifests itself as a next step in the artistry of the embattled Lana Del Rey.
Mura Masa’s new self-titled album succeeds on every count. It is one of the most accessible pop albums of recent memory.
New Pornographers lead singer Carl Newman spoke to The Cavalier Daily on new music.
Almost two years after his last release “Cherry Bomb,” Tyler, the Creator released two new singles.
The Fralin Museum of Art is a gem of variety.
A&E profiles the city’s hottest venues for Charlottesville's phenomenal music scene.
After becoming an overnight success following the debut of their self-titled album in 2014, genre-hopping band Royal Blood caught the attention of the rock world.
Released after many delays, SZA’s debut album, “CTRL,” showcases her honest nature and instinctive talent for singing and songwriting.
The boys of Netflix’s dramedy “Flaked” are a pretty flakey bunch.
Indie rock band Arcade Fire’s new single, “Everything Now,” is a masterful comeback anthem after the band’s four-year hiatus.
“RELAXER” is a diverse album even by alt-J standards.
“Homecoming King” grapples with the same question Minhaj referenced in a recent interview with GQ — “Are we the nativist narrative, or are we the immigrant narrative?”
