There is a key difference between seeing a movie and viewing a play. In a play, anything can happen.
“Exodus: Gods and Kings,” Ridley Scott’s new film about the well-known Old Testament book and the latest in Biblically-inspired epic films, has a bit of a misleading title. The film, though enormous in scale, is not really about gods and kings at all.
Buried in obscurity for the past 14 years, R&B singer D'Angelo has resurfaced — his new record, “Black Messiah,” presenting a tempestuous blend of funk, soul, rock and gospel. But “Black Messiah” is more than just a comeback record.
“Bottomless Pit,” Death Grips’ fifth studio album, marks a return to the experimental hip-hop group’s prolific record-releasing, which was absent between their 2013 effort “Government Plates” and 2015’s “The Powers That B.”
